Кен Кизи – One Flew over the Cuckoo's Nest / Пролетая над гнездом кукушки. Книга для чтения на английском языке (страница 13)
Harding’s face is still colorless, but he’s got control of his hands again; they flip loosely before him, trying to toss off what McMurphy has been saying:
“Our dear Miss Ratched? Our sweet, smiling, tender angel of mercy, Mother Ratched, a ball-cutter? Why, friend, that’s
“Buddy, don’t give me that tender little mother crap. She may be a mother, but she’s big as a damn barn and tough as knife metal. She fooled me with that kindly little old mother bit for maybe three minutes when I came in this morning, but no longer. I don’t think she’s really fooled any of you guys for any six months or a year, neither. Hooo
“A bitch? But a moment ago she was a ball-cutter, then a buzzard – or was it a chicken? Your metaphors are bumping into each other, my friend.”
“The hell with that; she’s a bitch and a buzzard and a ball-cutter, and don’t kid me, you know what I’m talking about.”
Harding’s face and hands are moving faster than ever now, a speeded film of gestures, grins, grimaces, sneers. The more he tries to stop it, the faster it goes. When he lets his hands and face move like they want to and doesn’t try to hold them back, they flow and gesture in a way that’s real pretty to watch, but when he worries about them and tries to hold back he becomes a wild, jerky puppet doing a high-strung dance. Everything is moving faster and faster, and his voice is speeding up to match.
“Why, see here, my friend Mr. McMurphy, my psychopathic sidekick, our Miss Ratched is a veritable angel of mercy and why just
He’s been talking faster and faster, the cords stretching out in his neck. When he stops talking, the ward is completely silent. I don’t hear anything but a faint reeling rhythm, what I figure is a tape recorder somewhere getting all of this.
Harding looks around, sees everybody’s watching him, and he does his best to laugh. A sound comes out of his mouth like a nail being crowbarred out of a plank of green pine; Eee-eee-eee. He can’t stop it. He wrings his hands like a fly and clinches his eyes at the awful sound of that squeaking. But he can’t stop it. It gets higher and higher until finally, with a suck of breath, he lets his face fall into his waiting hands.
“Oh the bitch, the bitch, the bitch,” he whispers through his teeth.
McMurphy lights another cigarette and offers it to him; Harding takes it without a word. McMurphy is still watching Harding’s face in front of him there, with a kind of puzzled wonder, looking at it like it’s the first human face he ever laid eyes on. He watches while Harding’s twitching and jerking slows down and the face comes up from the hands.
“You are right,” Harding says, “about all of it.” He looks up at the other patients who are watching him. “No one’s ever dared come out and say it before, but there’s not a man among us that doesn’t think it, that doesn’t feel just as you do about her and the whole business – feel it somewhere down deep in his scared little soul.”
McMurphy frowns and asks, “What about that little fart of a doctor? He might be a little slow in the head, but not so much as not to be able to see how she’s taken over and what she’s doing.”
Harding takes a long pull off the cigarette and lets the smoke drift out with his talk. “Doctor Spivey… is exactly like the rest of us, McMurphy, completely conscious of his inadequacy. He’s a frightened, desperate, ineffectual little rabbit, totally incapable of running this ward without our Miss Ratched’s help, and he knows it. And, worse, she
“That’s right,” Cheswick says, coming up beside Mc-Murphy, “grinds our noses in our mistakes.”
“Why don’t he fire her?”
“In this hospital,” Harding says, “the doctor doesn’t hold the power of hiring and firing. That power goes to the supervisor, and the supervisor is a woman, a dear old friend of Miss Ratched’s; they were Army nurses together in the thirties. We are victims of a matriarchy here, my friend, and the doctor is just as helpless against it as we are. He knows that all Ratched has to do is pick up that phone you see sitting at her elbow and call the supervisor and mention, oh, say, that the doctor seems to be making a
“Hold it, Harding, I’m not up on all this shop talk.”
“Demerol, my friend, is a synthetic opiate, twice as addictive as heroin. Quite common for doctors to be addicted to it.”
“That little fart? Is he a dope addict?”
“I’m certain I don’t know.”
“Then where does she get off with accusing him of – ”
“Oh, you’re not paying attention, my friend. She
He starts to tremble again, and his shoulders fold back around him.
“No. She doesn’t need to accuse. She has a genius for insinuation. Did you ever hear her, in the course of our discussion today, ever
Harding hushes all of a sudden and leans forward to take McMurphy’s hand in both of his. His face is tilted oddly, edged, jagged purple and gray, a busted wine bottle.
“This world… belongs to the strong, my friend! The ritual of our existence is based on the strong getting stronger by devouring the weak. We must face up to this. No more than right that it should be this way. We must learn to accept it as a law of the natural world. The rabbits accept their role in the ritual and recognize the wolf as the strong. In defense, the rabbit becomes sly and frightened and elusive and he digs holes and hides when the wolf is about. And he endures, he goes on. He knows his place. He most certainly doesn’t challenge the wolf to combat. Now, would that be wise? Would it?”
He lets go McMurphy’s hand and leans back and crosses his legs, takes another long pull off the cigarette. He pulls the cigarette from his thin crack of a smile, and the laugh starts up again – eee-eee-eee, like a nail coming out of a plank.
“Mr. McMurphy… my friend… I’m not a chicken, I’m a rabbit. The doctor is a rabbit. Cheswick there is a rabbit. Billy Bibbit is a rabbit. All of us in here are rabbits of varying ages and degrees, hippity-hopping through our Walt Disney world. Oh, don’t misunderstand me, we’re not in here