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Hugh Lamb – The Invisible Eye: Tales of Terror by Emile Erckmann and Louis Alexandre Chatrian (страница 8)

18

‘Yes.’

‘It is almost that,’ I said, looking up. ‘This inverted vault forms the outer ear very well, the underneath part of the steps represents the drum, and the bends of the stairway the cochlea, the labyrinth and the opening of the ear. That then explains the murmuring that we can hear: we are at the bottom of a colossal ear.’

‘That is very possible,’ said Hans Goerner, who seemed to understand nothing of my observations.

We were on our way back up. I had already taken the first steps when I felt something snap beneath my foot. I bent down to see what it could be and I noticed at the same time a white object in front of me. It was a sheet of torn paper. As for the hard matter that had been pulverized, I recognized a sort of pot made of glazed stoneware.

‘Ho! Ho!’ I said to myself, ‘this will be able to throw some light on the burgomaster’s story for us.’

And I joined Hans Goerner, who was by now waiting for me at the kerb of the cistern.

‘Now, sir,’ he shouted to me, ‘where would you like to go?’

‘First of all let us sit down a little, we shall see presently.’

And I found a place on a large stone, while the constable let his hawk-like eyes gaze all around the village, to discover marauders in the gardens, if there were any.

I carefully examined the stoneware vessel, of which no more than a fragment remained. This fragment took the shape of a funnel, lined with down on the inside. It was impossible for me to make out its purpose. Next I read the piece of paper, which was written on in a very steady hand. I transcribe it here according to the text. It seems to be a continuation of another sheet, for which I have since searched in the vicinity of the ruin, but in vain.

My ‘microeartrumpet’ has therefore the double advantage of multiplying ad infinitum the intensity of sounds, and of being able to fit the ear, which in no way impedes the observer. You cannot imagine, my dear master, the charm that one feels on hearing these thousands of imperceptible sounds which, on fine summer days, blend into one mighty buzzing. The bee has his song like the nightingale, the wasp is the warbler of the mosses, the cicada is the lark of the tall grasses, in this the mite is the wren – it has only a sigh, but this sigh is melodious!

This discovery which, from the sentimental point of view, makes us live the life of universal nature, surpasses in its importance all that I could say about it.

After so many sufferings, privations, and worries how happy it is in the end to gather the rewards of our labours! With what leaps the soul rises up to the divine author of these microscopic worlds, whose splendour is revealed to us. What then are these long hours of anguish, hunger, scorn which overwhelmed us in the past? Nothing, sir, nothing! Tears of gratitude wet our eyes. One is proud to have bought through suffering new joys for humanity and to have contributed to its improvement. But however vast, however admirable are the first results of my ‘microeartrumpet’, its advantages are not limited to that alone. There are others more positive, more material in some respects, and which can be translated into figures.

Just as the telescope causes us to discover myriads of worlds, completing their harmonious revolutions in the infinite, so too my ‘microeartrumpet’ extends the sense of hearing beyond all the limits of possibility. Thus, sir, I shall not stop at the circulation of the blood and vital fluids in the living body; you hear them running with the impulsiveness of cataracts, you perceive them with a distinctness which terrifies you, the slightest irregularity in the pulse, the lightest obstacle strikes you and has on you the effect of a rock against which break the waves of a torrent.

It is undoubtedly a tremendous conquest for the development of our physiological and pathological knowledge, but it is not on this point that I insist.

By pressing your ear to the ground you hear the hot springs surging at immeasurable depths, you assess their volume, the currents, the obstacles.

Would you like to go any further? Enter an underground chamber sufficiently large to pick up a considerable quantity of sounds; then, at night, when all is asleep, when nothing disturbs the inner sounds of our globe, listen!

Sir, all that it is possible for me to tell you at present, because in the midst of my abject misery, my privations, and often my despair, I have only a few lucid moments left to gather together geological observations, all that I can assert for you is that the bubbling incandescent lava, the glow of boiling substances is something terrifying and sublime, and which can only be compared to the impression of the astronomer sounding the endless depths of the universe with his telescope.

However, I must admit that these impressions need to be studied further and classified methodically, so as to draw from them fixed conclusions. Consequently as soon as you condescend, my dear and worthy master, to send to me at Neustadt the small sum that I ask to provide for my basic needs, we shall see that we agree with a view to establishing three subterranean observatories, one in the valley of Catania, the other in Iceland, and the third in one of the valleys of Capac-Uren, Songay, or Cayembé-Uren, the deepest of the Cordilleras, and as a consequence …

Here the letter stopped.

I was dumbfounded. Had I read the ideas of a madman, or rather the fulfilled inspirations of a genius? What was I to say? or think? Thus this man, this wretch, living at the bottom of a den like a fox, dying of hunger, had perhaps been one of those chosen people, whom the Supreme Being sends to earth, to enlighten future generations.

And this man had hanged himself out of disgust and despair! His request had not been answered when he only asked for a piece of bread in exchange for his discovery. It was horrible.

A long time, a very long time, I stayed there, dreaming, thanking heaven for having limited my intelligence to the everyday needs for life, for not having wanted to make myself superior to the common crowd. Finally the constable seeing me staring, my mouth wide open, ventured to touch my shoulder: ‘M. Christian,’ he said to me, ‘look it is getting late. The burgomaster must have returned from the meeting.’

‘Ah! That’s right!’ I exclaimed, crumpling up the paper. ‘On our way.’

We climbed down the hill again.

My worthy cousin received me, his face beaming, on the threshold of his house: ‘Well, well! Christian! Have you found anything of this idiot who hanged himself?’

‘No.’

‘As I suspected. He was some madman who escaped from Stefansfeld or elsewhere. Indeed he did well to hang himself. When one is good for nothing, it’s the simplest thing.’

The following day I left Hirchwiller. I shall never go back.

THE WHITE AND THE BLACK

I

At that time we passed our evenings at Brauer’s alehouse, which opens upon the square of Vieux-Brisach. After eight o’clock there used to drop in, one by one, Frederick Schultz the notary; Frantz Martin the burgomaster, Christopher Ulmett the magistrate; the counsellor Klers; the engineer Rothan; the young organist Theodore Blitz; and some others of the chief townsfolk, who all sat around the same table and drank their foaming bok-bier like brothers.

The apparition of Theodore Blitz, who came to us from Jena with a letter of recommendation from Harmosius – his dark eyes, his brown dishevelled hair, his thin white nose, his metallic voice, and his mystic ideas – occasioned us some little disquiet. It used to trouble us to see him rise abruptly and pace two or three times up and down the room, gesticulating the while, mocking with a strange air the Swiss landscapes with which the walls were adorned – lakes of indigo-blue, mountains of an apple-green, paths of brilliant red. Then he would seat himself down again, empty his glass at a gulp, and commence a discussion about the music of Palestrina, about the lute of the Hebrews, about the introduction of the organ into our churches, about the shophar, the sabbatic epochs, etc. He would knit his brows, plant his sharp elbows on the edge of the table, and lose himself in deep thought. Yes, he perplexed us not a little – we others who were grave and accustomed to methodical ideas. However, it was necessary to put up with it; and the engineer Rothan himself, in spite of his bantering spirit, in the end grew calm and no longer continued to contradict the young organist when he was right.

Theodore Blitz was plainly one of those nervously organised beings who are affected by every change of temperature. The year of which I speak was extremely warm; we had several heavy storms towards the autumn, and folk began to fear for the wine harvest.

One evening all our little world was gathered, according to custom, around the table, with the exception of the magistrate Ulmett and the organist. The burgomaster talked about the weather and great hydraulic works. As for me I listened to the wind gamboling without amongst the plane-trees of the Schlossgarten, to the drip of the water from the spouts, and to its dashing against the windows. From time to time one could hear a tile blown off a roof, a door shut to with a bang, a shutter beat against a wall. Then would arise the great clamour of the storm, sweeping, sighing, and groaning in the distance, as if all the invisible powers were seeking and calling on one another in the darkness, while living things hid themselves, sitting in corners, in order to escape a fearful meeting with them.