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William Dalrymple – City of Djinns (страница 1)

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City of Djinns

A Year in Delhi

William Dalrymple

logo200 Copyright

William Collins

An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

This edition published by Harper Perennial 2005

Previously published in paperback by Flamingo 1994

First published in Great Britain by HarperCollinsPublishers 1993

Copyright © William Dalrymple 1993

The Author asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

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Source ISBN: 9780006375951

Ebook Edition © APRIL 2011 ISBN: 9780007378784

Version: 2017-03-10

Praise

From the reviews of City of Djinns:

‘Dalrymple has pulled it off again … At a time when the book of travels is beginning to lose its fashionable allure, City of Djinns is not really a travel book at all. It is a kind of memoir recording the response of a single, gentle, merry and learned mind to the presence of an ancient city … Dalrymple is anything but a voyeur. Even his excursions into the world of the eunuchs are conducted with a kind of grave innocence. He is more a pilgrim than an observer, always trying to understand … It is the work of a man who has consciously chosen to commit himself to the profession of letters, and in it we see the first fine rapture of In Xanadu deepening to a profounder dedication … hours and hours of pleasure for his readers.’

JAN MORRIS, Independent

‘As the author of the best travel book of recent years at the intensely irritating age of twenty-two, William Dalrymple has now shown that In Xanadu was no fluke. City of Djinns is an entertaining mix of history and diary informed by a deep curiosity about the ways in which the ghosts of even the most distant past still walk Delhi in the twentieth century.’

CHRISTOPHER LOCKWOOD, Daily Telegraph

‘City of Djinns is a delight. William Dalrymple is in command of his subject, seizes the reader and uses his skill to tempt and tantalize … The city of djinns is Delhi and Dalrymple reveals it like a Dance of the Seven Veils. It is very intricately organized: ostensibly structured around a year which he and his artist wife Olivia spent in Delhi, paced by vivid descriptions of weather change as signal of seasons, and by the formal punctuation of life, learning, loving, and death. These episodes are interspersed in counterpoint with historical sketches, which (as you suddenly realize at the end) are organized in reverse chronology, beginning with the Sikh massacres after Indira Gandhi’s death, back through Partition, the Empire, and the East India Company, back through the Mughal empire into prehistory and archaeology … The book is Dalrymple’s journey into the soul of Delhi.’

CHARLES MCKEAN, Books in Scotland

‘Delhi has more layers of culture, civilisation and history extant in it than any other city in India, arguably, in the world. It is this, the enthralling and enigmatic features of this ancient-modern city, that William Dalrymple sets out to trace in City of Djinns, and he manages to do it with such pleasing success that henceforth defenders of the city can use his book as a club to beat off Delhi-haters … [The book is] a stationary travelogue that moves more through time than space, looping and whorling in circles and parabolas of past and present. Dalrymple performs these acrobatics of storytelling with the ease of a trapeze artist … One great merit of his book is that the author conducts himself without prejudice or bigotry. He explores Delhi without ideological or racial baggage; in fact, wonderfully, he is not in the least cramped by the need for political correctness. He does not feel the need to be nice or nasty to anyone. What he is, constantly, is curious, scholarly, engaging, the scholarship carried by a light touch … the finest labour of love on the capital in recent times.’

TARUN TEJPAL, India Today

‘An expansive and inclusive work, richly peopled … an enlightening and entertaining book.’

IAIN WETHERBY, Literary Review

Table of Contents

Title Page

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

Keep Reading

Glossary

Select Bibliography

Index

Acknowledgements

About the Author

About the Publisher

PROLOGUE

IT WAS in the citadel of Feroz Shah Kotla that I met my first Sufi.

Pir Sadr-ud-Din had weasel eyes and a beard as tangled as a myna’s nest. The mystic sat me down on a carpet, offered me tea, and told me about the djinns.

He said that when the world was new and Allah had created mankind from clay, he also made another race, like us in all things, but fashioned from fire. The djinns were spirits, invisible to the naked eye; to see them you had to fast and pray. For forty-one days, Sadr-ud-Din had sat without eating, half-naked in the foothills of the Himalayas; later, he had spent forty-one days up to his neck in the River Jumna.

One night, asleep in a graveyard, he was visited by the King of the Djinns.

‘He was black, as tall as a tree, and he had one eye in the centre of his forehead,’ said the Pir. ‘The djinn offered me anything I wanted, but every time I refused.’

‘Could you show me a djinn?’ I asked.

‘Certainly,’ replied the Pir. ‘But you would run away.’

I was only seventeen. After ten years at school in a remote valley in the moors of North Yorkshire, I had quite suddenly found myself in India, in Delhi. From the very beginning I was mesmerized by the great capital, so totally unlike anything I had ever seen before. Delhi, it seemed at first, was full of riches and horrors: it was a labyrinth, a city of palaces, an open gutter, filtered light through a filigree lattice, a landscape of domes, an anarchy, a press of people, a choke of fumes, a whiff of spices.

Moreover the city—so I soon discovered—possessed a bottomless seam of stories: tales receding far beyond history, deep into the cavernous chambers of myth and legend. Friends would moan about the touts on Janpath and head off to the beaches in Goa, but for me Delhi always exerted a stronger spell. I lingered on, and soon found a job in a home for destitutes in the far north of the city.

The nuns gave me a room overlooking a municipal rubbish dump. In the morning I would look out to see the sad regiment of rag-pickers trawling the stinking berms of refuse; overhead, under a copper sky, vultures circled the thermals forming patterns like fragments of glass in a kaleidoscope. In the afternoons, after I had swept the compound and the inmates were safely asleep, I used to slip out and explore. I would take a rickshaw into the innards of the Old City and pass through the narrowing funnel of gullies and lanes, alleys and cul de sacs, feeling the houses close in around me.

In summer I preferred the less claustrophobic avenues of Lutyens’s Delhi. Then, under a pulsing sun, I would stroll slowly along the shady rows of neem, tamarind and arjuna, passing the white classical bungalows with their bow fronts and bushes of molten yellow gulmohar.

In both Delhis it was the ruins that fascinated me. However hard the planners tried to create new colonies of gleaming concrete, crumbling tomb towers, old mosques or ancient Islamic colleges – medresses – would intrude, appearing suddenly on roundabouts or in municipal gardens, curving the road network and obscuring the fairways of the golf course. New Delhi was not new at all. Its broad avenues encompassed a groaning necropolis, a graveyard of dynasties. Some said there were seven dead cities of Delhi, and that the current one was the eighth; others counted fifteen or twenty-one. All agreed that the crumbling ruins of these towns were without number.

But where Delhi was unique was that, scattered all around the city, there were human ruins too. Somehow different areas of Delhi seemed to have preserved intact different centuries, even different millennia. The Punjabi immigrants were a touchstone to the present day; with their nippy Maruti cars and fascination with all things new, they formed a lifeline to the 1980s. The old majors you would meet strolling in the Lodhi Gardens were pickled perhaps half a century earlier. Their walrus moustaches and Ealing comedy accents hinted that they had somehow got stuck in about 1946. The eunuchs in the Old City, some speaking courtly Urdu, might not have looked so out of place under the dais of the Great Mogul. The sadhus at Nigambodh Ghat I imagined as stranded citizens of Indraprastha, the legendary first Delhi of the Mahabharata, the great Indian epic.