Tony Medawar – The Rasp (страница 3)
‘What’s happened?’ snapped the editor.
‘Cabinet Minister dead. John Hoode’s been killed—murdered! Tonight. At his country house.’
‘You
The efficient Miss Margaret Warren was becoming herself again. ‘Of course. I heard all the fuss just after eleven. I was staying in Marlin, you know. My landlady’s husband is the police-sergeant. So I hired a car and came straight here. I thought you’d like to know.’ Miss Warren was unemotional.
‘Hoode killed! Phew!’ said Hastings, the man, wondering what would happen to the Party.
‘
‘I don’t think they can be—yet.’
‘Right. Now nip down to Bealby, Miss Warren. Tell him he’s got to get ready for a two-page special
‘Certainly, Mr Hastings,’ said the girl, and walked quietly from the room.
Hastings looked after her, his forehead wrinkled. Sometimes he wished she were not so sufficient, so calmly adequate. Just now, for an instant, she had been trembling, white-faced, weak. Somehow the sight, even while he feared, had pleased him.
He shrugged his shoulders and turned to his desk.
‘Lord!’ he murmured. ‘Hoode murdered.
II
‘That’s all the detail, then,’ said Hastings half an hour later. Margaret Warren, neat, fresh, her golden hair smooth and shining, sat by his desk.
‘Yes, Mr Hastings.’
‘Er—hm. Right. Take this down. “Cabinet Minister Assassinated. Murder at Abbotshall—”’
‘“Awful Atrocity at Abbotshall”,’ suggested the girl softly.
‘Yes, yes. You’re right as usual,’ Hastings snapped. ‘But I always forget we have to use journalese in the specials. Right. “John Hoode Done to Death by Unknown Hand.
Miss Margaret Warren looked up, her eyebrows severely interrogative.
‘Well?’ said Hastings uneasily.
‘Isn’t that last sentence rather dangerous, Mr Hastings?’
‘Hm—er—I don’t know—er—yes, you’re right, Miss Warren. Dammit, woman, are you ever wrong about anything?’ barked Hastings; then recovered himself. ‘I
There came an aloof smile. ‘Please don’t apologise, Mr Hastings. Shall I change the phrase?’
‘Yes, yes,’ muttered Hastings. ‘Say, say—put down—say—’
‘“—and are stricken aghast at the calamity which has befallen them”,’ suggested the girl.
‘Excellent,’ said Hastings, composure recovered. ‘By the way, did you tell Williams to get on with that padding? That sketch of Hoode’s life and work? We’ve got to fill up that opposite-centre page.’
‘Yes, Mr Williams started on it at once.’
‘Good. Now take this down as a separate piece. It must be marked off with heavy black rules and be in Clarendon or some such conspicuous type. Ready? “The
‘“These bulletins will be of extraordinary interest, since we are in a position to announce that a special correspondent will despatch to us (so far as is consistent with the wishes of the police, whom we wish to assist rather than compete with) at frequent intervals, from the actual locus of the crime a
The girl rose and moved to the door, but paused on the threshold.
‘Mr Hastings,’ she said, turning quickly, ‘what does that last bit mean? Are you sending one of the ordinary people down there—Mr Sellars or Mr Briggs?’
‘Yes, yes, I suppose so. What I said was all rot, but it’ll sound well. We just want reports that are a bit different from the others.’
She came nearer, her eyes wide. ‘Mr Hastings, please excuse me, but you must listen. Why not let
‘But I say, Miss Warren, look here, you know! We’ve not got an office full of Holmeses. They’re all perfectly ordinary fellers—’
‘Colonel Gethryn,’ said the girl quietly.
‘Eh, what?’ Hastings was startled. ‘He’d never—Miss Warren, you’re a wonder. But he wouldn’t take it on. He’s—’
‘Ask him.’ She pointed to the telephone at his side.
‘What? Now?’
‘Why not?’
‘But—but it’s two o’clock,’ stammered Hastings. He met the level gaze of his secretary’s blue eyes, lifted the receiver from its hook, and asked for a number.
‘Hallo,’ he said two minutes later, ‘is that Colonel Gethryn’s flat?’
‘It is,’ said the telephone. Its voice was sleepy.
‘Is—is Colonel Gethryn in—out—up, I mean?’
‘Colonel Gethryn,’ said the voice, ‘who would infinitely prefer to be called Mr Gethryn, is in his flat, out of bed, and upon his feet. Also he is beginning to become annoyed at—’
‘Good Lord—Anthony!’ said Hastings. ‘I didn’t recognise your voice.’
‘Now that you have, O Hastings, perhaps you’ll explain why the hell you’re ringing me up at this hour. I may mention that I am in execrable temper. Proceed.’
Spencer Hastings proceeded. ‘Er I—ah—that is—er—’
‘If those are scales,’ said the telephone, ‘permit me to congratulate you.’
Hastings tried again. ‘Something has happened,’ he began.
‘No!’ said the telephone.
‘D’you think you could—I know it’s an extraordinary thing to ask—er, but will you, er—’
Miss Margaret Warren rose to her feet, removed the instrument from her employer’s hands, put the receiver to her ear and spoke into the transmitter.
‘Mr Gethryn,’ she said, ‘this is Margaret Warren speaking. What Mr Hastings wished to do was to ask whether you could come down here—to the office—at once. Oh, I know it sounds mad, but we’ve received some amazing news, and Mr Hastings wishes to consult you. I can’t tell you any more over the phone, but Mr Hastings is sure that you’ll be willing to help. Please come; it might mean everything to the paper.’
‘Miss Warren,’ said the telephone sadly, ‘against my will you persuade me.’
ANTHONY RUTHVEN GETHRYN was something of an oddity. A man of action who dreamed while he acted; a dreamer who acted while he dreamed. The son of a hunting country gentleman of the old type, who was yet one of the most brilliant mathematicians of his day, and of a Spanish lady of impoverished and exiled family who had, before her marriage with Sir William Gethryn, been in turn governess, dancer, mannequin, actress, and portrait painter, it was perhaps to be expected that he should be no ordinary child. And he was not.
For even after taking into consideration the mixture of blood and talents that were rightly his, Anthony’s parents soon found their only child to be possessed of far more than they had thought to give him. From his birth he proved a refutation of the adage that a Jack-of-all-Trades can be master of none.