Тилли Бэгшоу – One Christmas Morning, One Summer’s Afternoon: 2 short stories (страница 1)
ONE CHRISTMAS MORNING, ONE SUMMER’S AFTERNOON: 2-SHORT STORIES
Tilly Bagshawe
Published by HarperCollins
77–85 Fulham Palace Road,
Hammersmith, London W6 8JB
Copyright © Tilly Bagshawe 2012, 2013
Cover layout design © HarperCollins
Cover images
Cover images
Tilly Bagshawe asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780007472543, 9780007472550
Ebook Edition © December 2013 ISBN: 9780007564279
Version: 2014-07-31
Table of Contents
Keep Reading –
ONE CHRISTMAS MORNING
TILLY BAGSHAWE
An imprint of HarperCollins
77–85 Fulham Palace Road
Hammersmith, London W6 8JB
This ebook first published in Great Britain by HarperCollins
Copyright © Tilly Bagshawe 2012
Cover images © Simon Wilkinson/Getty Images (woman); Shutterstock.com (illustrations)
Tilly Bagshawe asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Epub Edition © December 2012 ISBN: 9780007472543
Version: 2014-07-31
Table of Contents
‘All right, Michael, let’s try it again, shall we? And this time maybe
Laura Tiverton gave what she hoped was an encouraging smile to the six-year-old boy on stage. The child glared back at her sullenly. For a Christmas angel in the Fittlescombe village Nativity play, Michael O’Brien was sadly lacking in festive spirit. Not that Laura blamed him for that. At this point she wanted nothing more than to go home, lock the door, pour herself an enormous Laphroaig and eat an entire bowl of Cadbury’s chocolate buttons in front of
‘“We Three Kings of Orient Are”, from the top.’ She forced the jollity into her voice as Mrs Bramdean launched into the familiar chords on St Hilda’s Primary School’s famously out-of-tune piano.
Twenty-eight years old, with a mane of curly hair the same blue-black as a crow’s feathers, pale skin and soulful, dark eyes like two wells of oil, Laura Tiverton was both attractive and successful. After three years spent working as a writer on two BBC dramas, last year she’d finally produced a pilot of her own, a show about a newly qualified teacher from the shires left to sink or swim in a failing inner-city comprehensive school. Although the series wasn’t ultimately commissioned, Laura was already winning praise for herself as an innovative and talented young TV writer. Her love affair with the BBC’s very handsome, very married Head of Drama, John Bingham, had only served to raise her profile further as one of the corporation’s brilliantly rising stars.
And then last spring, in one fell swoop, it had all gone horribly wrong. Laura fell unexpectedly pregnant. Although the baby wasn’t planned, she’d been delighted, believing John Bingham’s assurances that he loved her, that his marriage had been over for years, and that he only stayed with Felicia because of their children, now all in their late teens.
‘You’ve done the right thing for so long, darling,’ Laura told him over dinner, the night she did the test. ‘But now we’ll have a child of our own to think of. Don’t you think it’s time you made the split with Felicia official?’