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Tash Aw – The Harmony Silk Factory (страница 3)

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• Poor villagers would eat any kind of meat. Protein was scarce.

• Most children were malnourished. That is why my father had skinny legs and arms all his life, even though his belly was heavy from later-life over-indulgence. Malnutrition is also the reason so many people of my father’s generation are dwarfs. Especially compared to me – I am nearly a whole foot taller than my father.

• Scurvy, rickets, polio – all very common in children. Of course typhoid, malaria, dengue fever and cholera too.

• Schools do not exist in these rural areas.

• I tell a lie. There are a few schools, but they are reserved for the children of royalty and rich people like civil servants. These were founded by the British. ‘Commanding the best views of the countryside, these schools are handsome examples of the colonial experiment with architecture, marrying Edwardian and Malay architectural styles.’ (I quote directly from Mr Unwin in this instance.) When you come across one of these schools you will see that they dominate the surrounding landscape. Their flat lawns and playing fields stretch before the white colonnaded verandas like bright green oceans in the middle of the grey olive of the jungle around them. These bastions of education were built especially for ruling-class Malays. Only the sons of very rich Chinese can go there. Like Johnny’s son – he will go to one of these, to Clifford College in Kuala Lipis.

• There the pupils are taught to speak English, proper, I mean.

• They also read Dickens.

• For these boys, life is good, but not always. They have the best of times, they have the worst of times.

• Going back to the subject of toilets: actually, the platform lavatory continued to be used way into the 1960s. But not for me. In 1947, my father installed the first flush cistern and septic tank north of Kuala Lumpur at the Harmony Silk Factory. Before that, we had enamel chamber pots. My favourite one was hand-painted with red-and-black goldfish.

• So imagine a child like Johnny, growing up on the edge of a village on the fringes of a rubber plantation (say), tapping rubber and trapping animals for a few cents’ pocket money. Probably, he would have no idea of the world around him. He only knows the children of other rubber-tappers. They are the only people he would ever mix with. Sometimes he sees the plantation owner’s black motor car drive through the village on the way to the Planter’s Club in town. The noise of the engine, a metallic rattle-roar, fills Johnny’s ears, and maybe he sees the Sir’s pink face and white jacket as the car speeds past. There is no way the two would ever speak. Johnny would never even speak to rich Chinese – the kind of people who live in big houses with their own servants and tablecloths and electricity generators.

• When a child like Johnny ends up being a textile merchant, it is an incredible story. Truly, it is. He is a freak of nature.

• Unsurprisingly, many of the poor Chinese become communists. Not all, but many. And their children too.

Mr Unwin’s excellent book paints a vivid picture indeed. However, it is a general study of all villages across the country and does not take into account specific regions or communities. This is not a criticism – I am in no position to criticise such scholarship – but there is one thing of some relevance to Johnny’s story which is missing from the aforementioned treatise: the shining, silvery tin buried deep in the rich soil of the Kinta Valley.

3. The Kinta Valley

The Kinta Valley is a narrow strip of land which isn’t really a valley at all. Seventy-five miles long and twenty miles wide at its widest, it runs from Maxwell Hill in the north to Slim River in the south. To the east are jungle-shrouded limestone massifs which you can see everywhere in the valley: low mountains pock-marked with caves which appear to the eye as black teardrop scars on a roughened face. There are trails through the jungle leading up to these caves. They have been formed over many years by the careful tread of animals – sambar and fallow deer, the wild buffalo and boar, the giant seledang – which come down from the hills to forage where the forest meets the rich fruit plantations.

As a boy, I used to walk these trails. The jungle was wet and cool and sunless, but by then I had learned where to put my feet, how to avoid the tree roots and burrows which could easily twist an ankle. The first time I discovered a cave I wandered so deep into it that I could no longer see any light from the outside. I felt with my hands for somewhere to sit. The ground and the walls were damp and flaky with guano. The air was rich with an old smoky smell, like the embers of some strange sugar-sweet charcoal fire. There were no noises other than the gentle drip-drip of water. The darkness swallowed up my movements. I couldn’t see my hands or my legs, I couldn’t hear myself breathing. It was as if I had ceased to exist. I sat there for many hours – I don’t know how long exactly. Nor do I know how I found my way out of the cave or what made me want to leave. Night had fallen by the time I emerged, but it did not seem dark to me. Even the light from the pale half-moon annoyed my eyes as I made my way home.

As long as a hundred years ago, the first Chinese coolies discovered these caves and built Buddhist temples in them. For them too these caves were a place of comfort and solace and refuge. A few of the larger temples survive today. My favourite is the Kek Loong, which contains an enormous Laughing Buddha. People say his expression conveys infinite love and wisdom, but to me he has always looked like a young boy, naughtily chuckling because he has done something wrong.

You would expect that a valley would be bounded by two mountain ranges, but that is not so with the Kinta Valley. To the west, as soon as you cross the Perak River, the mangrove swamps begin to unfold before you. The land is flat and muddy, crisscrossed by slow-running streams. The journey to the coast takes you past coconut plantations and fishing villages. Everywhere there are flimsy wooden racks of fish, slowly drying and salting in the sun and the sea breeze. In most places along the coast it is difficult to know where the land ends and the sea begins. There are a thousand tiny inlets which break the coastline, an intricate tapestry of coves. This is where the notorious nineteenth-century pirate Mat Hitam used to hide, deep among the mangrove trees. From here he would launch raids on the hundreds of trading ships following the trade winds down into the Straits of Malacca, for three centuries the most lucrative shipping lane in the world. The straits were, and still are, sheltered and calm – the ideal route for a ship laden with tea, cotton, silk, porcelain or opium, travelling between India and China. Here, the men of such ships rested their weary, wary souls. Shielded from the open, treacherous waters of the Indian Ocean, they gathered their spirits before striking out for the South China Sea. It was said by fishermen and merchant seamen that the straits were the most beautiful place in the world. The water was smooth enough for a child’s boat to sail peacefully – the gentle waves caught the amber light of the setting sun and the breeze, steady and warm, propelled you at a speed so constant that seamen were said to have become mesmerised. Some insisted that they felt in the presence of God.

It is here, in this idyll, that Mat Hitam and his men struck. For nearly twenty years, his small fast boats terrorised the stately ships filled with valuable cargo. Mat Hitam himself became a godlike figure, feared for his ruthlessness. It is an established fact that he was the rarest of all people: a black Chinese. No one was certain where he came from. Some theories say that he was from Yunnan Province in southern China, but it is more commonly believed that he was not an exotic foreigner, and was instead born within these shores. Whatever the case, I have no doubt that his mysterious appearance aided his exploits. He died in 1830 (or thereabouts), in the early days of British rule in Malaya. His last victim was Juan Fernández de Martin, a Jesuit missionary who, as his throat was cut, placed a curse on Mat Hitam so powerful that two weeks later, the Black Pirate died of a twisted stomach. He was bleeding from his eyes as he died, and the expression on his face was ‘empty as hell and full of fury’.

His spirit lives on in the hidden coves and apparently sleepy fishing villages which dot the coastline. They are impossible to police, and it is here that Johnny smuggled 20,000 tons of rice from Sumatra during the drought of 1958. I am told that small boats carrying illegal Indonesian immigrants land here every day. I’m sure that if Johnny were alive today he would find some way of making money out of this.

At one or two points along this coast, the sea does appear cleanly and without interruption. One such place is Remis, where my father once took me to swim. It was the first time I had swum in the sea. As I walked on to the beach the dry needles of the casuarina trees, scattered across the sand, prickled underfoot. It was a very hot day and even though the afternoon sun was weakening, the sand was still white to my eyes and warm to the touch. When I was waist-deep in the water, I turned to look at Father. He was standing in the pools of shade cast by the trees, watching me with his arms folded and eyes squinting slightly. I walked until I could barely touch the bottom with my toes, then I started swimming, kicking off with uncertain froglike strokes. At some point, I stopped and began treading water, my arms flailing gently in front of me. The sea was deep green, the colour of old, dark jade. That was the first time I ever noticed my skin, the colour of it. Not brown, not yellow, not white, not anything against the rich and mysterious green of the water around me. I turned to look at Father. I could barely make him out in the shade, but he was still there, one hand on his hip, the other shading his eyes from the sun.