Richard Holmes – Coleridge: Darker Reflections (страница 3)
Sitting high up at Signal House, the very summit of Gibraltar, “which looks over the blue Sea-lake to Africa”, the magic of the Mediterranean south rose up to him in sight and sound and smell (the crushed tansy under his shoe). He thought how many mountains he had stood on in his life, and how the Rock was something profoundly new and mysterious, in all its warlike nameless shapes and intimations. “What a complex Thing! At its feet mighty ramparts establishing themselves in the Sea with their huge artillery – hollow trunks of Iron where Death and Thunder sleep; the gardens in deep Moats between lofty and massive walls; a Town of All Nations & all languages;…fences of the prickly aloe, strange Plant that does not seem to be alive, but to have been a thing fantastically carved in wood & coloured, some Hieroglyph or temple Ornament of undiscovered meaning.”38
Coleridge was deeply excited by the Mediterranean, and his whole body responded to the physical impact of sun and sea. Moving easily among the soldiers and sailors, picking up their talk and laughter, he saw himself once again as footloose adventurer, poetic traveller, special correspondent for Daniel Stuart’s newspaper. His letter gives detailed naval “intelligence” of Nelson’s lost dispatches, and the
But, of course, beneath breathless activity, the manly sweating extraversion of the new self, older feelings stirred. “What change of place, Country, climate, company, situation, health – of Shrubs, Flowers, Trees – moving Seasons: & ever is that one feeling at my heart, felt like a faint Pain, a spot which it seems I could lay my finger on.” It was Asra, of course; and everything she represented of the Wordsworths, the Lakes, lost love.
The past self stood like a ghostly reflection in every company; the remembered hills rose up behind every sunlit cliff and rock. “I talk loud or eager, or I read or meditate the abstrusest Researches; or I laugh, jest, tell tales of mirth; & ever as it were, within & behind, I think & image you; and while I am talking of Government or War or Chemistry, there comes ever into my bodily eye some Tree, beneath which we have rested, some Rock where we have walked together, or on the perilous road edging high above the Crummock Lake, where we sat beneath the rock, & those dear Lips pressed my forehead.”40 This was the cargo of memory that could not be sunk or abandoned or burnt; the secret self that crouched below the waterline.
Coleridge’s last day on Gibraltar was spent on a “long & instructive walk” with Major Adye round the entire defences, from the gun emplacements to the brewery, discussing British strategy in the Mediterranean. They visited St Michael’s Cave again, and Coleridge was more and more struck by its mysterious rock formations, “the obelisks, the pillars, the rude statues of strange animals” like some cathedral of half-created forms and monuments.41
They planned to meet again in Malta, and Adye promised to carry home to England whatever letters and journals Coleridge had prepared. Back on the
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The
To beguile the time he began an essay on Superstition, “taken in its philosophical and most comprehensive Sense”, as it affects men of action – soldiers, sailors, fishermen, farmers, even lovers and gamblers – who are placed “in an absolute Dependence on Powers & Events, over which they have no Control”.43 He noted how the patterns of “an old Idolatry” rose in response to physical fear, and fixed themselves angrily on scapegoats or astronomical signs, like the star which dogs a crescent moon. There began to be talk of a “Jonas in the Fleet”, and he dryly remarked that this was one advantage of sailing in a convoy. “On a single Vessel the Jonas must have been sought among ourselves.”
Conditions aboard the
On 1 May, in wet, foggy, oppressive weather, they had drifted back towards the Barbary coast off Carthagina. “We are very nearly on the spot, where on Friday last about this same hour we caught the Turtles – And what are 5 days’ toiling to windward just not to lose ground, to almost
On 4 May, a wind got up, and Coleridge composed a grateful sea-shanty for Captain Findlay, “who foretold a fair wind/ Of a constant mind”, though “neither Poet, nor Sheep” could yet eat.48 But the wind turned into a squall, and then a storm, which carried away their foremost yard-arm on 6 May. He sank further into opium, besieged by “these Sleeps, these Horrors, these Frightful Dreams of Despair”. He could no longer get up on deck, and was now seriously ill, with violent stomach pains and humiliating flatulence. A flowered curtain was rigged round his bunk, and he began to hallucinate, seeing “yellow faces” in the cloth. The ship was again becalmed, and he thought the flapping sails were fish dying on the deck.49 Mr Hardy, the surgeon of the
The opium doses had completely blocked his bowels. The shame, guilt and horrid symbolism of this seized upon him. His body had closed upon itself, just as his mind had become fruitless and unproductive. He was a vessel full of mephitic horror. His journal becomes extraordinarily explicit, and details his sufferings with weird, unsparing exactitude. “Tuesday Night, a dreadful Labour, & fruitless throes, of costiveness – individual faeces, and constricted orifices. Went to bed & dozed & started in great distress.”50
Wednesday, 9 May was “a day of Horror”. He spent the morning sitting over a bucket of hot water, “face convulsed, & the sweat streaming from me like Rain”. Captain Findlay brought the
The humiliation of this experience never left Coleridge. He knew it was caused by opium, and he reverted to it frequently in his Notebooks, and even in his later letters. From now on he dreaded the enema, as the secret sign and punishment for his addiction. The pain of “frightful constipation when the dead filth impales the lower Gut”, was unlike any other illness, because it was shameful and could not be talked about “openly to all” like rheumatism, or other chronic complaints. It crept into his dreams, and haunted him with its grotesque symbolism of false birth and unproductivity. “To weep & sweat & moan & scream for parturience of an excrement with such pangs & such convulsions as a woman with an Infant heir of Immortality: for Sleep a pandemonium of all the shames and miseries of the past Life from earliest childhood all huddled together, and bronzed with one stormy Light of Terror & Self-torture. O this is hard, hard, hard.”52