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Нил Гейман – Concrete Island (страница 1)

18

J. G. BALLARD

Concrete Island

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Fourth Estate

An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by Jonathan Cape Ltd 1974

Copyright © J. G. Ballard 1974

J. G. Ballard asserts the moral right to be identifiend as the author of this work

Introduction copyright © Neil Gaiman 2014

‘The Sage of Shepperton’ © Travis Elborough 2008

Cover by Stanley Donwood

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this e-book has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007287048

Ebook Edition © MARCH 2009 ISBN: 9780007321582

Version: 2016-08-17

Contents

Cover

Title Page

Copyright

Author’s Note

Introduction by Neil Gaiman

Chapter 1 – Through the crash barrier

Chapter 2 – The embankment

Chapter 3 – Injury and exhaustion

Chapter 4 – The water reservoir

Chapter 5 – The perimeter fence

Chapter 6 – The rain-storm

Chapter 7 – The burning car

Chapter 8 – The messages

Chapter 9 – Fever

Chapter 10 – The air-raid shelter

Chapter 11 – Rescue

Chapter 12 – The acrobat

Chapter 13 – The fire signal

Chapter 14 – A taste of poison

Chapter 15 – The bribe

Chapter 16 – The food source

Chapter 17 – The duel

Chapter 18 – Five pounds

Chapter 19 – Beast and rider

Chapter 20 – The naming of the island

Chapter 21 – Delirium

Chapter 22 – The pavilion of doors

Chapter 23 – The trapeze

Chapter 24 – Escape

Keep Reading

The Sage of Shepperton

About the Author

By the Same Author

About the Publisher

Author’s Note

The day-dream of being marooned on a desert island still has enormous appeal, however small our chances of actually finding ourselves stranded on a coral atoll in the pacific. But Robinson Crusoe was one of the first books we read as children, and the fantasy endures. There are all the fascinating problems of survival, and the task of setting up, as Crusoe did, a working replica of bourgeois society and its ample comforts. This is the desert island as adventure holiday. With a supplies-filled wreck lying conveniently on the nearest reef like a neighbourhood cash and carry.

More seriously, there is the challenge of returning to our more primitive natures, stripped of the self-respect and the mental support systems with which civilisation has equipped us. Can we overcome fear, hunger, isolation, and find the courage and cunning to defeat anything that the elements can throw at us?

At an even deeper level there is the need to dominate the island, and transform its anonymous terrain into an extension of our minds. The mysterious peak veiled by cloud, the deceptively calm lagoon, the rotting mangroves and the secret spring of pure water together become out-stations of the psyche, as they must have done for our primeval forbears, filled with lures and pitfalls of every kind.

The Pacific atoll may not be available, but there are other islands far nearer to home, some of them only a few steps from the pavements we tread every day. They are surrounded, not by sea, but by concrete, ringed by chain-mail fences and walled off by bomb-proof glass. All city-dwellers know the constant subliminal fear of being marooned by a power failure in the tunnels of a subway system, or trapped over a holiday weekend inside a stalled elevator on the upper floors of a deserted office building.

As we drive across a motorway intersection, through the elaborately signalled landscape that seems to anticipate every possible hazard, we glimpse triangles of waste ground screened off by a steep embankments. What would happen if, by some freak mischance, we suffered a blow-out and plunged over the guard-rail onto a forgotten island of rubble and weeds, out of sight of the surveillance cameras?

Lying with a broken leg beside our overturned car, how will we survive until rescue comes? But what if rescue never comes? How do we attract attention, signal to the distant passengers speeding in their coaches towards London Airport? How, when faced with the task, do we set fire to our car?