Максим Кантор – Чертополох и терн. Возрождение Возрождения (страница 218)

227 Caravaggio & Bernini. Early Baroque in Rome. Exhibition catalogue. Kunsthistorisches museum, Wien. Rijksmuseum, Amsterdam. Hannibal Publishing, 2019.

228 Carpenter T. H. Art and Myth in Ancient Greece. London: Thames & Hudson, 2018.

229 Châtelet A. Early Dutch Painting: Painting in the northern Netherlands in the fifteenth century. Rizzoli. 1981.

230 Clark T. J. The absolute Bourgeois. Artists and Politics in France 1848–1851. Thanmes and Hudson. London 1973.

231 Cavalcaselle J. B., Crowe J. New history of Painting in Italy. John Murray, 1864.

232 Coelen van der P., Lammertse F. De ontdekking van het dagelijks leven van Bosch tot Bruegel. Museum Boijmans Van Beuningen, Rotterdam. 2015.

233 Cone M. C. French Modernisms: Perspectives on Art before, during and after Vichy. Cambridge University Press, 2001.

234 Cone, Michele C. French Art of the Present in Hitler’s Berlin. The Art Bulletin. Vol. 80, No. 3. Sep., 1998.

235 Crussard S. Gauguin. Premier itinéraire d’un sauvage. Wildenstein Institute. Paris. 2001.

236 Der Meister von Flémalle und Rogier van der Weyden. Staatliche Museen zu Berlin. Stadel Museum, Frankfurt am Main.

237 Dhanens E., Dijkstra J. Rogier de le Pasture van der Weyden. La Renaissance du Livre. 1999.

238 Domínguez M. Renaissance Ornithofauna. © Mètode 2014 – 47. About Nature – Issue 47. Autumn 2005.

239 Dummett J. Sicily: Island of Beauty and Conflict. Tauris Park, 2020.

240 Dvorak F. Hans Holbein le Jeune. Éditions Cercle D’art. Paris, 1987.

241 Emerson C. Olivier de La Marche and the Rhetoric of Fifteenth-Century Historiography. Boydell Press; First Edition, 2004.

242 Encyclopedia of Italian Rennaisance and Mannerism Art. Edited by Jane Turner. @ volums. Maximillan Reference Ltd. 2000.

243 Finaldi G. Jusepe de Ribera. The drawings. Catálogo rasonnado. Madrid, 2016.

244 François Ier – pouvoir et image. Bibliothèque nationale de France, 2015.

245 Friedlander M. From van Eyck to Bruegel. Phaidon, 1969.

246 Giannotti, Donato. Della. Repubbluica de’ Viniziani, 1526–1533.

247 Giannotti, Donato. Della Repubblica Fiorentina, 1531.

248 Gelderer, Martin van, Skinner, Quentin. Republicanism. A Shared European Heritage.. Cambridge University Press, 2002.

249 Gordon Bertram M. Collaborationism in France during the Second World War. Cornell University Press, Ithaca, N.Y., 1980.

250 Gudiol Ricart J. Bernardo Martorell. Instituto Diego Velázquez, del consejo superior de investigaciones científicas. Madrid, 1959.

251 Halmi, Nicholas The Very Model of a Modern Epic Poem University of Oxford 2010.

252 Hasenmueller McCorkel C. The Role of the Suspended Crown in Jan van Eyck›s Madonna and Chancellor Rolin. The Art Bulletin, Vol. 58, No. 4 (Dec., 1976), pp. 516–520.

253 Henry T. The life and art of Luca Signorelli. Yale University Press. New Haven and London. 2012.

254 Hobsbawm, Eric. Age of Extriems. Abacus pbl. 1995.

255 Thomas Hobbes, Leviathan or the matter, forme, & power of a common-wealth ecclesiastical and civil, Haskett, 1994.

256 Homburg C., Riopelle Ch. Gauguin portraits. Catalogue. National Gallery of Canada. Ottawa, 2019.

257 Hosle, Vittorio Globale Fliehkrafte. Munich Verlag Karl Alber. 2020.

258 Hosle, V. Morals and Politics, University of Notre Dame. Ind. USA 2004.

259 Hout Nico van. Rubens and His Legacy. ACC-distribution titles, 2014.

260 Hughes D. O. Distinguishing Signs: Ear-Rings, Jews and Franciscan Rhetoric in the Italian Renaissance City. Past & Present. No. 112 (Aug., 1986), pp. 3–59. Oxford University Press.

261 Hults L. C. Baldung’s Bewitched Groom Revisited: Artistic Temperament, Fantasy and the «Dream of Reason». The Sixteenth Century Journal, Vol. 15, No. 3 (Autumn, 1984), pp. 259–279.

262 Jacob-Friesen H., Jehle O. Hans Baldung Grien. Neue Perspektiven auf sein Werk. Deutscher kunstverlag, 2019.

263 Jean Fouquet, peintre, Bibliothèque nationale de France.

264 Jenkins C., et al. The Renaissance of etching. The Metropolitan Museum of Art. NY, 2019.

265 Jerome J. McGann, Don Juan in Context. Chicago. University of Chicago, 1976.

266 Kemperdick S., Roessler J. The Ghent Altarpiece by the Brothers van Eyck: History and Appraisal. Staatliche Museen zu Berlin. Michael Imhof Verlag. 2014.

267 Kempf D., Gilbert M. L. Medieval monsters. The British Library, 2015.

268 Koerner J. L. Bosch & Bruegel. From enemy painting to everyday life. Board of Trustees, National Gallery of Art. Washington. 2016.

269 Kren T., McKendrick S. The renaissance of Flemish manuscript painting in the Europe. J. Paul Getty Trust, 2003.

270 Latini, Brunetto Il Tesoretto, Il Favolello, «Rime di Francesco Petrarca» Federico Ubaldini nel 1642. Фрагменты изданы в 1995 Giovanni Pozzi, Giuseppe Petronio и Francesco Mazzoni.

271 Landolt Hanspeter. German Painting The Late Middle Ages (1350–1500) Skira, 1968.

272 Leduc-Gueye, Cristine D’Intimite d’Eternite. La Peinture monumentale en Anjou au tepps du roi Rene. Lieux Dits. Lyon. 2007.

273 Le Men, Ségolène. La Charicature et le Charivari. Paris. Citadelles et Mazenod, 2008.

274 Les sources d’inspiration de Vincent van Gogh. Paris: Institut Néerlandais, 1972.

275 Lohr E. Nationalizing the Russian Empire: The Campaign Against Enemy Aliens during World War I. Harvard University Press. 2003.

276 Luyster, Amanda. Christ Golden Voice: the Chapel of Saint Martial and Saint John in the Palace of the Popes, Avignon.

277 Makrides A. Byron vs. Marx. Men in Revolt and «Lara» Revisited. The 39th International Byron Conference 2013, King’s College London.

278 Marani P. C., Fiorio M. T. Leonardo da Vinci. The Design of the World. Skipa, 2015.

279 Maroto P. S. Bosch. The 5th centenary exhibition. Museo Nacional del Prado. Madrid. 2016.

280 Martin Schongauer. Maître de la gravure rhénane. Vers 1450–1491. Musée du Petit Palais. 1991.

281 Martineau J. Andrea Mantegna. Royal Academy of Arts, London. The Metropolitan Museum of Art. NY. 1992.

282 McPhee C., Orenstein N. M. Infinite Jest. Caricature and satire from Leonardo to Levine. The Metropolitan Museum of Art. NY, 2011.

283 Mayor, A. Hyatt. Prints and People. Princeton: Metropolitan Museum of Art, 1971.

284 Medici, Lorenzo de. Opere, Nuova Universale Einaudi, Torino 1992.

285 Meteren van E. Belgische ofte Nederlandtsche historie van onsen tijden: inhoudende hoe de Nederlanden aenden anderen gehecht, ende aen Spaengten ghecomen zijn: met de oorsaken der inlantsche beroerten, ende oorlogen der selver…, Delft, 1605.

286 Michel E. Pieter Bruegel. Drawing the world. The Albertina Museum, Vienna, 2017.

287 Meiss M. French Painting in the Time of Jean de Berry: The Boucicaut Master. London, 1968.

288 Mielke H. Albrecht Altdorfer – Zeichnungen, Deckfarbenmalerei, Druckgraphik. Staatliche Museen Preussischer Kulturbesitz. Berlin.1988.

289 Mirow M. C. The Power of Codification in Latin America: Simon Bolivar and the Code Napoleon (April 12, 2000). Tulane Journal of International & Comparative Law, Vol. 8, 2000, Florida International University Legal Studies Research Paper No. 10–11.

290 Molina Figueras J. Bartolomé Bermejo. Madrid-Barcelona, 2018.

291 Morrison E. A Knight for the Ages: Jacques de Lalaing and the art of chivalry. Los Angeles: The J. Paul Getty Museum, 2018.