Лорен Вайсбергер – The Devil Wears Prada Collection: The Devil Wears Prada, Revenge Wears Prada (страница 1)
The Devil Wears Prada
Revenge Wears Prada
Lauren Weisberger
Table of Contents
The Devil Wears Prada
Lauren Weisberger
Dedicated to the only three
people alive who genuinely believe it rivals
Table of Contents
Permissions
‘Material Girl’ by Peter Brown and Robert Rans © 1984 by Candy Castle Music. Warner/Chappell North America, London W6 8BS. Reproduced by permission of International Music Ltd. All Rights Reserved.
‘WANNABE’ Words and Music by Emma Bunton, Geri Halliwell, Melanie Chisholm, Victoria Beckham, Richard Stannard, Matthew Rowbottom, Melanie Gulzar © 1995. Reproduced by permission of EMI Music Publishing Ltd/Polygram Music Publishing Ltd, London WC2H 0QY (50%).
© Copyright 1996 Universal Music Publishing Limited (50%).
Used By Permission Of Music Sales Limited.
All Rights Reserved. International Copyright Secured.
‘I THINK WE’RE ALONE NOW’ Words and Music by Ritchie Cordell. © 1967 (Renewed 1995) EMI Longitude Music, USA. Reproduced by permission of EMI Music Publishing Ltd, London WC2H 0QY © Copyright 1967, 1987 Longitude Music Company, USA. EMI Music Publishing (WP) Limited, for the United Kingdom and the Republic of Ireland.
Used By Permission Of Music Sales Limited.
All Rights Reserved. International Copyright Secured.
AMERICAN PIE
Words & Music by Don McLean © Copyright 1971 Mayday Music, USA. Universal/MCA Music Limited.
Used By Permission Of Music Sales Limited.
All Rights Reserved. International Copyright Secured.
HENRY DAVID THOREAU,
The light hadn’t even officially turned green at the intersection of 17th and Broadway before an army of overconfident yellow cabs roared past the tiny deathtrap I was attempting to navigate around the city streets.
‘Fuckin’ move, lady!’ hollered a swarthy driver whose chest hair threatened to overtake the wife-beater he wore. ‘What do you think this is? Fuckin’ drivin’ school? Get outta the way!’
I raised a shaking hand to give him the finger and then turned my attention to the business at hand: getting nicotine coursing through my veins as quickly as possible. My hands were moist again with sweat, evidenced by the matches that kept slipping to the floor. The light turned green just as I managed to touch the fire to the end of the cigarette, and I was forced to leave it hanging between my lips as I negotiated the intricacies of
‘Ahn-dre-ah! Ahn-dre-ah! Can you hear me, Ahn-dre-ah?’ she trilled the moment I snapped my Motorola open – no small feat considering both of my (bare) feet and hands were already contending with various obligations. I propped the phone between my ear and shoulder and tossed the cigarette out the window, where it narrowly missed hitting a bike messenger. He screamed out a few highly unoriginal ‘fuck yous’ before weaving forward.
‘Yes, Miranda. Hi, I can hear you perfectly.’
‘Ahn-dre-ah, where’s my car? Did you drop it off at the garage yet?’
The light ahead of me blessedly turned red and looked as though it might be a long one. The car jerked to a stop without hitting anyone or anything, and I breathed a sigh of relief. ‘I’m in the car right now, Miranda, and I should be at the garage in just a few minutes.’ I figured she was probably concerned that everything was going well, so I reassured her that there were no problems whatsoever and we should both arrive shortly in perfect condition.
‘Whatever,’ she said brusquely, cutting me off midsentence. ‘I need you to pick up Madelaine and drop her off at the apartment before you come back to the office.’ Click. The phone went dead. I stared at it for a few seconds before I realized that she’d deliberately hung up because she had provided all of the details I could hope to receive. Madelaine. Who the hell was Madelaine? Where was she at the moment? Did she know I was to pick her up? Why was she going back to Miranda’s apartment? And why on earth – considering Miranda had a full-time driver, housekeeper, and nanny – was I the one who had to do it?