Карен Армстронг – The Spiral Staircase (страница 16)

Like one that on a lonesome road

Doth walk in fear and dread,

And having once turned round walks on,

And turns no more his head;

Because he knows, a frightful fiend,

Doth close behind him tread.

The words are flat, and the image of the ‘frightful fiend’ deliberately banal, but the simple description of a fear that is constantly beside you but just out of reach captures the sensation exactly.

This was not an isolated experience. Some weeks later, while I was shopping in Cornmarket, the world seemed to have lost all connection with the fundamental laws that give it meaning and coherence. It took on the grotesque aspect of a cartoon. The women ahead of me in the queue at Marks and Spencer looked as though they belonged in a primitive painting by Beryl Cook; their features became coarse and alien. Again there was that paralysing fear. I had no idea where I was or what I was doing. When I reached the till, the woman sitting behind it seemed to be shouting at me, pointing to my purse. I stared back at her blankly, unable to understand what she was saying or what she wanted me to do. Somebody took my purse from me, and opened it, but I could make nothing of the round metal discs inside. Dazed, I put down my wire basket and wandered out into the street. I don’t know how long it was before I found myself sitting outside Brasenose College in Radcliffe Square, contemplating the perfect dome of the Camera, an image of wholeness and harmony. It was one of my favourite haunts, a place where I loved to come and study. It had been raining. I was wet and chilled, but back in my skin on a planet that had returned to normal.

I never imagined for one moment that these were supernatural visitations. I knew at once that I must be ill and assumed that, like my fainting attacks, these ‘visions’ were symptoms of strain. This seemed oddly appropriate. The world that I had rejected had turned on me and exacted a revenge, in which my surroundings periodically took on a nightmarish unfamiliarity. But as these strange interludes became more frequent, I became frightened, and took myself off to the doctor. How was I going to live with a horror that descended upon me without warning and made it impossible for me to function? It seemed as though the world and I had become chronically incompatible; that I would never be able to live in it. And what if one day I remained trapped on the other side of the looking glass?

The doctor dismissed these worries as excessive but agreed that I was not very well. He talked sagely about ‘anxiety attacks’, told me that these things happened, were fairly common and could easily be dealt with. After all, I had been under a strain; I was probably working too hard. In my final year now, was I? Exams next summer? Yes, people often got het up about these things. But in view of my … er … history, it might be a good idea to go and see a specialist. He knew a very good chap at the Littlemore Hospital. Somebody would write to me in due course to set up an appointment. Good idea to talk things over, perhaps take some medication – only temporarily, of course – to get rid of these bouts of panic, and then I’d soon be on my feet.

The Littlemore. One of Oxford’s two psychiatric hospitals. My heart sank. I had seen it coming, but now that the process had been set in motion, it felt like a real defeat. Psychiatry had certainly not been part of the convent ethos. The very idea of ‘talking things over’ with anyone was anathema. But I could see no alternative. The way both the doctor and the college nurse had taken refuge immediately in cliché when confronted with my predicament indicated that they felt out of their depth. I needed expert help, but I still shrank from exposing the mess of my life to a stranger, who would examine it clinically and make his own appraisal, and I hated the prospect of being known to be mentally ill.

It was partly to prevent this, I suppose, that I started to become more reclusive and reserved. I was afraid of experiencing one of these uncanny episodes when I was with other people. I had lost confidence. Where previously I had felt only shy and socially inhibited, I could now place no trust in either my body or my mind. I no longer took it for granted that I could get through a party or a quiet evening with friends without succumbing to this malady, and, indeed, I had noticed that the flickering lighting to which people seemed so strangely addicted these days made me feel very odd indeed. And so, just as I had started to put out feelers to the world, I began to withdraw again.

There was another, deeper reason for this. These frightening incidents were changing me. I now knew that at any second, the pleasant, innocent-seeming surface of normality could split apart, and this knowledge infected everything. I knew that other people had been to this dark place. I could see it in Van Gogh’s tormented, writhing olive trees and swirling starry skies. It was in the infernal visions of Bosch; it was the heart of darkness evoked by Joseph Conrad. It didn’t matter how often I told myself that these experiences had no substantive reality. However you accounted for them, this was a region of the human mind. And because I had visited it, I felt set apart. I was surrounded by girls whose existence was beginning to blossom. Most of them were hopeful, cheerful and excited by their unfolding lives, but I could no longer share this instinctive optimism. I was now doubly out of place among my fellow-students, as though I were the wicked fairy in the story, brooding balefully over the party.

Increasingly I felt as though I were witnessing everything at one remove. As time went on, solid physical objects appeared ephemeral, and people seemed like ghosts, with no clearly defined identity. When your surroundings can so suddenly take on a frightening aspect, you start to experience them as fluid, unreliable and without inherent integrity. Things seemed to flow into one another; a kind face could rapidly become menacing, a pleasant landscape take on a malign aspect. Sometimes I felt as though I were looking at reality through a sheet of glass. If I put my hand out to touch an object. I often expected to feel this barrier; sounds seemed faint and dim. This happened so gradually and became so habitual that, after a time, I ceased to remark upon it. It became the norm, the element in which I lived. I was rather like the little fish in the Sufi parable, who asks his mother about this stuff called water that he hears everybody discussing but which he has never seen. It is not until the condition lifts that you realize that it was abnormal. At the time, it simply seemed that the world from which I had retreated had now begun to recede from me.

This made it even more difficult to relate to other people. When you feel that you are talking to somebody through a plate-glass window, it is hard to make real contact. I also found it impossible to feel strongly about current events, which seemed somehow vague and remote. During the spring of 1970, when I read about the fighting between Israelis and Syrians on the Golan Heights, looked at a newspaper photograph of a despairing child in Biafra, or watched television footage of the Viet Cong offensive in Laos, I could not feel anything at all. In May, the anti-Vietnam War rally in Washington DC, which delighted so many of my fellow-students at St Anne’s, seemed like something you might see in a surrealist dream, weird and insubstantial. I viewed these distant crises as through the wrong end of a telescope. They might as well be taking place on another planet that I would never visit.

Yet again, work became my refuge, because it made me feel relatively normal. If I could write good, competent essays about Chaucer or Shakespeare, my mind might not be irretrievably damaged. I could still think logically and coherently, if not originally. The more I read and studied, the more competent work I produced, the easier it was to believe that I was not completely mad and that one day I might be able to make my way in the world as an ordinary person. If I could stay for ever in the nice secure realm of scholarship, doing a little teaching, or writing the occasional article on Emily Brontë or Wordsworth, I might be able to keep my demons at bay.

Besides turning me into a solitary, these attacks of fear dealt yet another blow to my already wavering faith. No, I did not imagine that I had seen Satan during these visitations and knew very well that the evil I sensed had no metaphysical existence but was simply the product of my own mind. But these ‘visions’ got me thinking. In an age that was less scientific than our own, it would surely have been natural to conclude that the ghostly, senile presence that I sensed with hallucinatory intensity was a real diabolic personality. Poets and mystics had often spoken of the foul stench of hell. Almost certainly, hell was simply the creation of infirm minds like my own. There was no objective evidence to support such a belief. That was a wonderful and liberating thought, but what if God was also a mental aberration? The ecstatic, celestial visions of the saints could be just as fantastic as my own infernal sensations. What we called God could also be a disease, the invention of a mind that had momentarily lost its bearings. I was slightly dismayed to find that this idea did not trouble me overmuch. If there were no God, then much of my life had been nonsense, and I should, surely, have felt more upset. But then, God had never been a real presence to me. He had been so consistently absent that he might just as well not exist. Perhaps I should just leave the Church and have done with it.