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Карен Армстронг – The Spiral Staircase (страница 1)

18

THE SPIRAL STAIRCASE

KAREN ARMSTRONG

logo200 COPYRIGHT

William Collins

An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

This edition published by HarperPress 2005

First published in Great Britain by HarperCollinsPublishers 2004

Copyright © Karen Armstrong 2004

Karen Armstrong asserts the moral right to be

identified as the author of this work

PS Section copyright © Georgina Laycock 2005

Grateful acknowledgement is made to the Estate of

T. S. Eliot and Faber & Faber Ltd, for permission to reprint an excerpt

from the poem ‘Ash-Wednesday’, from Collected Poems, 1909–1962 by T. S. Eliot.

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007122295

Ebook Edition © JUNE 2016 ISBN 9780007372720

Version: 2017-03-23

PRAISE

From the reviews of The Spiral Staircase:

‘A book full of riches’

MICHÈLE ROBERTS, Literary Review

‘Unputdownable – absorbing, moving and hopeful’

Daily Mail

‘Her prose is admirably lucid … She writes with great insight and clarity about shifting states of mind and of feeling and about the evolution of thought, and she gives a more exact and vivid account of the pleasures of writing than any I have come across in a literary biography’

LUCY HUGHES-HALLETT, Sunday Times

‘Open, accessible, writing without jargon or denominational loyalty, Armstrong manages to put into words something that most of us cannot express … She tells a good tale at her own expense. She recounts the challenges she faced on her journey with amusement, a good ear for dialogue and an absence of self-pity or piety’

New Statesman

‘This terrifically readable book … is a fine testament to how the effort to escape self-pity and sustain the spirit in adversity is itself richly creative and can reward’

SALLEY VICKERS, Spectator

‘Written with enormous charm and elegance … If you are mystified as to why religion, which you thought was all but dead and buried, has bounced back with such alarming impact on to the human scene, then Karen Armstrong is probably your best guide’

Scotsman

EPIGRAPH

Because I do not hope to turn again

Because I do not hope

Because I do not hope to turn

Desiring this man’s gift and that man’s scope

I no longer strive to strive towards such things

(Why should the agèd eagle stretch its wings?)

Why should I mourn

The vanished power of the usual reign?

Because I do not hope to know again

The infirm glory of the positive hour

Because I do not think

Because I know I shall not know

The one veritable transitory power

Because I cannot drink

There, where trees flower, and springs flow, for there is nothing again

Because I know that time is always time

And place is always and only place

And what is actual is actual only for one time

And only for one place

I rejoice that things are as they are and

I renounce the blessèd face

And renounce the voice

Because I cannot hope to turn again

Consequently I rejoice, having to construct something

Upon which to rejoice

And pray to God to have mercy upon us

And I pray that I may forget