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Герман Мелвилл – Billy Budd and Other Stories (страница 2)

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In a way Melville’s own journey from adventurer, to novelist, to obscurity is part of the legend. Because he never tasted real success in his own lifetime, it is tempting to wonder what he might now think about the literary legacy he left behind. After all, Moby Dick is now regarded by some as the best American novel ever written.

Billy Budd

Billy Budd was published posthumously in 1924, long after the death of Herman Melville in 1891. The author had left the unfinished manuscript among his papers but it wasn’t discovered until 1919, some thirty years after it was begun.

Set in the late eighteenth century, the eponymous central character, a sailor, finds himself subject to a court-martial after accidentally killing a fellow sailor whilst being questioned about a rumour of mutinous behaviour. Billy is a good man, and the one witness to the event can testify that it was an accident, but despite this there are disastrous consequences.

In the novel, Melville addresses the different ways in which a person is viewed by society, and how this can ultimately determine their fate. Initially Billy is presented to the reader as a mild-mannered and affable man. He even blesses the captain who orchestrated his downfall, being too naïve to realize that he always held the power to save him.

However, later in the book we read a published account of the court-martial, which paints Billy as a scoundrel who deserved his punishment. In addition, a ballad written by one of his shipmates suggests that he wasn’t quite as innocent as the reader has been led to believe. The end result is that the reader finishes the novel unsure of Billy’s true character. Was he an honest man who got caught up in unfortunate circumstances, or a rogue who was responsible for his own undoing?

In many ways it is an early prototype for courtroom drama, altering the reader’s perception of the main character based on the evidence as it is revealed. Melville’s tale is partly an analysis of the moral judgment of others—emphasizing that it is human nature to oscillate between contradictory opinions of a person, whether in a court of law or otherwise—and it is this that makes the tale so intriguing.

And Other Stories

After the publication of his epic masterpiece Moby Dick in 1851, Melville experimented in short fiction, a style that had been popularized in America by Edgar Allan Poe. A departure from the maritime settings of his previous novels, Bartleby, the Scrivener explores the mundane existence of Bartleby, a Wall Street pen pusher. In Las Encantadas Melville employs the short story form in ten philosophical sketches, narrated by an anonymous voice and each exploring a different, and increasingly darker, side of life on the enchanted Galapagos Islands. In Benito Cereno Melville is back in familiar territory as he examines the life of a sea captain in the midst of a slave rebellion. Encompassing a range of themes and characters, Melville’s novellas showcase his distinctive writing style in shorter form.

CONTENTS

Cover

Title Page

LAS ENCANTADAS OR, ENCHANTED ISLES

BILLY BUDD

Dedication

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

CLASSIC LITERATURE: WORDS AND PHRASES adapted from the Collins English Dictionary

About the Publisher

BARTLEBY, THE SCRIVENER

I am a rather elderly man. The nature of my avocations, for the last thirty years, has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom, as yet, nothing, that I know of, has ever been written—I mean, the law-copyists, or scriveners. I have known very many of them, professionally and privately, and, if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep. But I waive the biographies of all other scriveners, for a few passages in the life of Bartleby, who was a scrivener, the strangest I ever saw, or heard of. While, of other law-copyists, I might write the complete life, of Bartleby nothing of that sort can be done. I believe that no materials exist, for a full and satisfactory biography of this man. It is an irreparable loss to literature. Bartleby was one of those beings of whom nothing is ascertainable, except from the original sources, and, in his case, those are very small. What my own astonished eyes saw of Bartleby, that is all I know of him, except, indeed, one vague report, which will appear in the sequel.

Ere introducing the scrivener, as he first appeared to me, it is fit I make some mention of myself, my employés, my business, my chambers, and general surroundings; because some such description is indispensable to an adequate understanding of the chief character about to be presented. Imprimis: I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best. Hence, though I belong to a profession proverbially energetic and nervous, even to turbulence, at times, yet nothing of that sort have I ever suffered to invade my peace. I am one of those unambitious lawyers who never addresses a jury, or in any way draws down public applause; but, in the cool tranquillity of a snug retreat, do a snug business among rich men’s bonds, and mortgages, and title-deeds. All who know me, consider me an eminently safe man. The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence; my next, method. I do not speak it in vanity, but simply record the fact, that I was not unemployed in my profession by the late John Jacob Astor; a name which, I admit, I love to repeat; for it hath a rounded and orbicular sound to it, and rings like unto bullion. I will freely add, that I was not insensible to the late John Jacob Astor’s good opinion.

Some time prior to the period at which this little history begins, my avocations had been largely increased. The good old office, now extinct in the State of New York, of a Master in Chancery, had been conferred upon me. It was not a very arduous office, but very pleasantly remunerative. I seldom lose my temper; much more seldom indulge in dangerous indignation at wrongs and outrages; but, I must be permitted to be rash here, and declare, that I consider the sudden and violent abrogation of the office of Master in Chancery, by the new Constitution, as a —— premature act; inasmuch as I had counted upon a life-lease of the profits, whereas I only received those of a few short years. But this is by the way.

My chambers were up stairs, at No. —— Wall street. At one end, they looked upon the white wall of the interior of a spacious skylight shaft, penetrating the building from top to bottom.

This view might have been considered rather tame than otherwise, deficient in what landscape painters call “life.” But, if so, the view from the other end of my chambers offered, at least, a contrast, if nothing more. In that direction, my windows commanded an unobstructed view of a lofty brick wall, black by age and everlasting shade; which wall required no spy-glass to bring out its lurking beauties, but, for the benefit of all near-sighted spectators, was pushed up to within ten feet of my window panes. Owing to the great height of the surrounding buildings, and my chambers being on the second floor, the interval between this wall and mine not a little resembled a huge square cistern.

At the period just preceding the advent of Bartleby, I had two persons as copyists in my employment, and a promising lad as an office-boy. First, Turkey; second, Nippers; third, Ginger Nut. These may seem names, the like of which are not usually found in the Directory. In truth, they were nicknames, mutually conferred upon each other by my three clerks, and were deemed expressive of their respective persons or characters. Turkey was a short, pursy Englishman, of about my own age—that is, somewhere not far from sixty. In the morning, one might say, his face was of a fine florid hue, but after twelve o’clock, meridian—his dinner hour—it blazed like a grate full of Christmas coals; and continued blazing—but, as it were, with a gradual wane—till six o’clock, P.M., or thereabouts; after which, I saw no more of the proprietor of the face, which, gaining its meridian with the sun, seemed to set with it, to rise, culminate, and decline the following day, with the like regularity and undiminished glory. There are many singular coincidences I have known in the course of my life, not the least among which was the fact, that, exactly when Turkey displayed his fullest beams from his red and radiant countenance, just then, too, at that critical moment, began the daily period when I considered his business capacities as seriously disturbed for the remainder of the twenty-four hours. Not that he was absolutely idle, or averse to business, then; far from it. The difficulty was, he was apt to be altogether too energetic. There was a strange, inflamed, flurried, flighty recklessness of activity about him. He would be incautious in dipping his pen into his inkstand. All his blots upon my documents were dropped there after twelve o’clock, meridian. Indeed, not only would he be reckless, and sadly given to making blots in the afternoon, but, some days, he went further, and was rather noisy. At such times, too, his face flamed with augmented blazonry, as if cannel coal had been heaped on anthracite. He made an unpleasant racket with his chair; spilled his sand-box; in mending his pens, impatiently split them all to pieces, and threw them on the floor in a sudden passion; stood up, and leaned over his table, boxing his papers about in a most indecorous manner, very sad to behold in an elderly man like him. Nevertheless, as he was in many ways a most valuable person to me, and all the time before twelve o’clock, meridian, was the quickest, steadiest creature, too, accomplishing a great deal of work in a style not easily to be matched—for these reasons, I was willing to overlook his eccentricities, though, indeed, occasionally, I remonstrated with him. I did this very gently, however, because, though the civilest, nay, the blandest and most reverential of men in the morning, yet, in the afternoon, he was disposed, upon provocation, to be slightly rash with his tongue—in fact, insolent. Now, valuing his morning services as I did, and resolved not to lose them—yet, at the same time, made uncomfortable by his inflamed ways after twelve o’clock—and being a man of peace, unwilling by my admonitions to call forth unseemly retorts from him, I took upon me, one Saturday noon (he was always worse on Saturdays) to hint to him, very kindly, that, perhaps, now that he was growing old, it might be well to abridge his labors; in short, he need not come to my chambers after twelve o’clock, but, dinner over, had best go home to his lodgings, and rest himself till tea-time. But no; he insisted upon his afternoon devotions. His countenance became intolerably fervid, as he oratorically assured me—gesticulating with a long ruler at the other end of the room—that if his services in the morning were useful, how indispensable, then, in the afternoon?