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Аудиокниги в жанре «Классика»

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Каталог аудиокниг в жанре «Классика»

Николай Гоголь - 50 Stories from Russia’s Greatest Authors
Николай Гоголь - 50 Stories from Russia’s Greatest Authors
"This audiobook collects a magnificent set of works by Russian classical authors: Alexander Pushkin, Nikolai Gogol, Fyodor Dostoyevsky, Anton Chekhov, Leo Tolstoy, Mikhail Bulgakov, Leonid Andreyev, Maxim Gorky, Ivan Turgenev, Aleksandr Kuprin. Each original story, springing from a common creative heritage, delivers a glimpse of the immortal Russian Soul and has influenced modern literary trends.These stories are interesting to their core and will bring pleasure to readers and listener alike.Get ready to immerse yourself within these immortal works that have long been counted among the best of classic world literature. Fyodor Dostoyevsky – THE DREAM OF A RIDICULOUS MANNOTES FROM THE UNDERGROUNDTHE CHRISTMAS TREE AND THE WEDDINGIvan Turgenev – MUMUFIRST LOVETHE DISTRICT DOCTORAleksandr Kuprin – THE OUTRAGEAlexander Pushkin -THE QUEEN OF SPADESLeo Tolstoy – A LETTER TO A HINDUTHE DEATH OF IVAN ILYICHGOD SEES THE TRUTH, BUT WAITSA RUSSIAN CHRISTMAS PARTYAnton Chekhov – THE WIFETHE SLANDERTHE HORSE-STEALERSTHE PETCHENYEGA DEAD BODYA HAPPY ENDINGTHE LOOKING-GLASSOLD AGEDARKNESSTHE BEGGARIN TROUBLEFROSTMINDS IN FERMENTGONE ASTRAYTHE AVENGERTHE JEUNE PREMIERA DEFENCELESS CREATUREAN ENIGMATIC NATUREA HAPPY MANA TROUBLESOME VISITORAN ACTOR'S ENDVANKAA COUNTRY COTTAGEFAT AND THINNERVESTHE DOCTORABOUT LOVEA LOTTERY TICKETLeonid Andreyev – THE LITTLE ANGELLAZARUSMaxim Gorky – ONE AUTUMN NIGHTHER LOVERMikhail Bulgakov – THE EMBROIDERED TOWELNikolai Gogol – CHRISTMAS EVETHE NOSEA MAY NIGHTTHE CLOAKTHE VIY"
Уильям Блейк - Songs of Innocence, and Songs of Experience
Уильям Блейк - Songs of Innocence, and Songs of Experience
"Songs of Innocence and of Experience is an collection of poems by William Blake. It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul. William Blake was also a painter before the songs of innocence and experience and made paintings such as Oberon, Titania, and Puck dancing with fairies.""Innocence"« and „„Experience““ are definitions of consciousness that rethink Milton's existential-mythic states of „„Paradise““ and „„Fall““. Often, interpretations of this collection centre around a mythical dualism, where „„Innocence““ represents the „„unfallen world““ and „„Experience““ represents the „„fallen world““. Blake categorizes our modes of perception that tend to coordinate with a chronology that would become standard in Romanticism: childhood is a state of protected innocence rather than original sin, but not immune to the fallen world and its institutions. This world sometimes impinges on childhood itself, and in any event becomes known through „„experience““, a state of being marked by the loss of childhood vitality, by fear and inhibition, by social and political corruption, and by the manifold oppression of Church, State, and the ruling classes. The volume's „„Contrary States““ are sometimes signalled by patently repeated or contrasted titles: in Innocence, Infant Joy, in Experience, Infant Sorrow; in Innocence, The Lamb, in Experience, The Fly and The Tyger. The stark simplicity of poems such as The Chimney Sweeper and The Little Black Boy display Blake's acute sensibility to the realities of poverty and exploitation that accompanied the „„Dark Satanic Mills““ of the Industrial Revolution.»
Уильям Хоуп Ходжсон - The Ghost Pirates
Уильям Хоуп Ходжсон - The Ghost Pirates
"The Ghost Pirates is a horror novel by English writer William Hope Hodgson, first published in 1909.In it, Hodgson never describes in any remarkable details the ghosts – if this is indeed what they are, since their true nature is left ambiguous – he merely reports on their gradual commandeering of the ship.The novel is presented as the transcribed testimony of Jessop, who we ultimately discover is the only survivor of the final voyage of the Mortzestus, having been rescued from drowning by the crew of the passing Sangier. It begins with Jessop's recounting how he came to be aboard the ill-fated Mortzestus and the rumors surrounding the vessel. Jessop then begins to recount the unusual events that rapidly increase in both frequency and severity. In the telling of his tale, Jessop offers only sparse interpretation of the events, spending most of the time relating the story in an almost journalistic fashion, presenting a relatively unvarnished description of the events and conversations as they occurred. He describes his confusion and uncertainty about what he believes he has seen, at times fearing for his own sanity. He eventually hears other members of the crew speak of strange events, most of which the rest of the crew pass off as either bad luck or the result of the witness being either tired or «„dotty“». Jessop only offers brief personal interpretation; he states that while he cannot discount the idea that the beings plaguing the ship may be ghosts, he presents his theory that they may be beings from another dimension that, while sharing the same physical space as theirs, are normally completely separated to the extent that neither dimension is aware of the existence of the other. He offers only vague, superficial suggestions as to the cause of his theorized dimensional breach. Famous works of the author William Hope Hodgson: The House on the Borderland, The Night Land."
Иван Франко - Ворони і сови
Иван Франко - Ворони і сови
Більшість творів, написаних Франком для дітей, становлять казки.Письменник часто використовував у них сюжети, взяті з народної творчості різних країн світу. Франка особливо цікавила в казках їх моральна спрямованість, ідейний зміст, співзвучність з тими проблемами й справами, якими жило тоді суспільство. Використані Франком сюжети набирали глибоко актуального значення, відзначалися яскравим національним колоритом, набували виразної виховної спрямованості.Франко надавав казковому жанру особливого значення у вихованні дитини. Франка особливо цікавила в казках їх моральна спрямованість, ідейний зміст, співзвучність з тими проблемами й справами, якими жило тоді суспільство. Іван Франко вважав, що спочатку доцільно знайомити дітей з людськими взаєминами саме через казкові форми, бо гола правда життя може бути болючою для них.