Филип Норман – John Lennon: The Life (страница 12)

He would write his own adventure stories, like the ones in Wizard and Hotspur, but with himself as their hero, and invent his own cartoon strips like the ones in the Beano and Knockout. At the age of seven he handwrote and drew a whole magazine entitled ‘Speed and Sport Illustrated’ by J W Lennon, with portraits of football players in action, cartoon strips, and the beginning of an adventure serial. ‘If you liked this,’ the first instalment ended, ‘Come again next week. It’ll be even better.’ But of all the diverse high and low cultural sources that fed his imagination—and shaped his character for ever—none could compare with William Brown.

William was the creation of Richmal Crompton Lamburn (1890-1969), a Lancashire classics teacher who switched to writing under the name Richmal Crompton after being stricken by polio. Her 11-year-old hero had originally been intended for an adult readership, but children quickly latched on to him, ensuring his continuance through 37 story collections. William was the archetypal naughty small boy in the innocent decades before vandalism, mugging, joyriding and alcopops changed the agenda. Incorrigibly noisy and untidy, his pockets bulging with catapults, marbles and live frogs, he is the bane of his conventional parents, his uptight older brother and sister, and every schoolteacher, clergyman and nervous elderly spinster in his orbit. He has three companions, Ginger, Douglas and Henry, with whom, in a gang known as the Outlaws, he roams the countryside, trespassing, bird’s-nesting, playing Red Indians, waging guerrilla war against his sworn enemy, Hubert Lane, and dodging his besotted follower, a prototype groupie named Violet Elizabeth Bott. The Outlaws form an unbreakable blood-brotherhood against repressive and pompous adults: they have their own private language, secret signs and sacred rituals, and their own cavernous hideout-cum-auditorium, the Old Barn.

William is a many-sided character: a leader whose authority over his followers is absolute; a daydreamer who imagines exotic careers as a big-game hunter, secret agent or circus clown; a virtuoso of scorn and sarcasm and an inventive liar; an exhibitionist, given to singing at the top of his voice, playing mouth organs and trumpets at high volume, dressing up in exotic clothes and wearing elaborate false beards and mustaches; a hustler, forever trying to raise money for new water pistols or cricket bats; a tender-hearted animal lover; a tireless novelty-seeker and observer of new trends and fashions; an indefatigable writer of lurid stories, dramas and poems in his own individual spelling; and organizer of plays, shows and exhibitions in his bedroom or the Old Barn. His greatest joy is to escape from his own genteel environment and run around with ’vulgar’ workingclass children, swapping his nice clothes for their scruffy ones and trying to imitate the fascinating crudeness of their speech. His spirits are never lower than when he is discovered among these unsuitable companions and restored to the outraged bosom of his family.

Having gobbled up the few red clothbound William books on Mimi’s bookshelf, John began to collect them, following their hero through the twenties, thirties and Second World War to the threshold of the space age. He loved the caustic prose style, which made no concession to young readers, freely using words such as inamorata and rhododendron, yet always sided with William against a largely risible grown-up community of choleric retired colonels, ditzy vicars’ wives, dimwitted policemen and sandal-wearing vegetarians. William’s world, moreover, was uncannily like the one that John himself inhabited—same ‘village’ surrounded by countryside, same genteel home with servants’ bells. He identified totally with William’s rebelliousness, his audacity, his humour, his flights of fantasy, his need always to be the kingpin yet always to have companions, his share-and-share-alike generosity, his proneness to hilarious misspellings and mispronunciations, even his preference for Red Indians over cowboys and addiction to playing the mouth organ. And it was William who inspired him to create his first gang of four, united against the world.

The Outlaws have an unchanging hierarchy, with William at the top, supported by his ‘boon companion’ Ginger, and Henry and Douglas forming a less essential second division. In John’s Vale Road following, Ivy Vaughan and Nigel ‘Walloggs’ Walley corresponded to Henry and Douglas, while albino-blond Pete Shotton, his prime accomplice and audience, was a natural Ginger.

With John as their leader, they devoted after-school hours, weekends and holidays to reincarnating William and the Outlaws in Woolton. Many of their escapades were dastardly only in their own eyes—walking on grass in defiance of KEEP OFF THE GRASS signs, entering and exiting wherever NO ENTRY or NO EXIT was proclaimed, drinking from taps marked NOT DRINKING WATER, and—in the words of their Sunday school classmate Rod Davis—‘running into Marks and Spencer’s and shouting “Woolworths!”’ At other times, they flouted authority and risked life and limb in ways that would have caused apoplexy in their respective homes. One of their favourite games was to hang on behind the trams that clanked up and down Menlove Avenue. Another was to climb a tree over a busy main road and play a version of Chicken with the double-decker buses passing beneath. When a bus approached, one of them would poke a leg into its path and dangle it there until the last possible moment before impact. Whoever kept his nerve for longest was the winner. If anyone’s shoe actually touched the bus roof, that counted as bonus points.

Lennon’s gang, as people soon took to calling them, became the curse of a district otherwise blessedly free from persecution or disturbance. They trespassed on Allerton Golf Course, annoying the grave businessmen at play there and conducting riotous games of their own. They crept in through the back entrances of cinemas without paying and disrupted performances until ejected by furious usherettes. Their ‘scrumping’ of apples from other people’s gardens became so pestilential that one enraged grower appeared with a shotgun and fired both barrels at John’s fleeing form.

Like William, he became a Boy Scout, joining the 3rd Allerton troop, but also like William, he had little time for the Scout code of duty and respectfulness. David Ashton, his companion in the troop’s ‘Badgers’ section, recalls the alternative marching chorus he encouraged the others to sing as they tramped along in their shorts, bush hats, and neckerchiefs: ‘We are the Third! The mad Third! We come from ALLeerTON and we are MAD! MAD!’

A frequent background for William’s and the Outlaws’ adventures are summer fêtes and garden parties. Their Woolton disciples, too, were invariably to be found when some local church or institution set out its innocent fund-raising paraphernalia of raffia stalls, lucky dips and kiddies’ fancy-dress parades. They would sneak into the tents where home-made cakes and pies or lovingly nurtured raspberries awaited the judges’ inspection, and make off with whatever they fancied. Once stuffed to the gills, they would entertain themselves by mocking the well-meaning people who were attempting to raise money for good causes, and the families innocently enjoying themselves. Nigel Walley has a mirthful recollection of one garden fête ‘run by the nuns’ where they spotted a group of monks seated together on a bench. ‘Somehow John got hold of this robe and dressed himself up as a monk. He was sitting with the other monks, talking to them in all these funny words while we were rolling about under the tent, in tucks.’

The portrayal, however, contained one major departure from character. Whereas William, for all his lawlessness, never stoops to intentional larceny, John—egged on, as always, by Pete—became a habitual and dedicated shoplifter. Confectioners in those days would often trustingly display sweets and chocolate on their counters in open boxes or arranged in glass dishes with paper doilies. ‘We’d go into this certain place that was run by a little old lady,’ Nigel Walley remembers. ‘John’d point to things he said he wanted on the top shelf, and all the time he’d be filling his pockets from the counter. He did the same at a shop that sold Dinky Toys in Woolton, opposite the Baths. He’d put a tractor or a little car in his pocket while the bloke was looking the other way. We went back to that same shop later, but this time John hadn’t got his glasses on. He couldn’t understand why his fingers couldn’t get at the Dinky cars. He couldn’t see that the bloke had covered them with a sheet of glass.’

Mimi was generous with pocket money, giving John a weekly allowance of five shillings (the same amount received by William’s pampered arch-foe, Hubert Lane), on condition that he did certain household jobs, such as mowing the lawn. Like William, he shared whatever he had with his ‘boon companions’. He found it impossible to hang on to money, just as he would all his life; nor was he willing to earn a bonus by legitimate means. The one time he ever received physical chastisement from Mimi was when she found he’d stolen some cash from her handbag. ‘I was always taking a little, for soft things like Dinkies,’ he would recall. ‘This day I must have taken too much.’