Elizabeth Rolls – A Scandalous Liaison (страница 1)
Six years ago, the rakish Viscount St. Austell betrayed his best friend and his own sense of honor by seducing Lionel’s sister, Loveday Trehearne. Now St. Austell has hired Lionel as an artist and is reunited with Loveday once again. Though she is as beautiful as ever, Loveday lives in poverty…and a different sort of mystery seems to be haunting the Trehearnes, too. The scandalous viscount is determined to help Loveday despite her resistance—but his toughest challenge will be fighting the passion that still burns between them…
This story is for Anne who answered so many questions about painting murals, and for Tony – whose long-standing friendship is unshakeable, even to the extent of answering my very nosy questions about dreams.
And it’s for Smokey, who snoozed by my desk for so many years and stories.
I miss you, old friend.
A Scandalous Liaison
Elizabeth Rolls
About the Author
Award-winning author ELIZABETH ROLLS lives in the Adelaide Hills of South Australia in an old stone farmhouse surrounded by apple, pear and cherry orchards, with her husband, two soccer- mad sons, two dogs and a cat. She also has four alpacas and two incredibly fat sheep, all gainfully employed as environmentally sustainable lawnmowers. The kids are convinced that writing is a perfectly normal profession, and she’s working on her husband. Elizabeth has what most people would consider far too many books, and her tea and coffee habit is legendary. She enjoys reading, walking, cooking, and her husband’s gardening. Elizabeth loves to hear from readers, and invites you to contact her via e-mail at books@elizabethrolls.com and visit her web site at http://www.elizabethrolls.com.
Other Books By
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“The Prodigal Bride” in
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A Scandalous Liaison
She glanced back over her shoulder, smiling, face half hidden by the hood of her cloak. No words, just the beckoning smile, part innocence, all invitation. His breath came in hard and fast as he reached for her, touched the billowing cloak…His fingers passed through it like smoke, and with a soundless sigh the cloak dissolved, taking with it the fading vision as he lunged forward. He tried to cry out but could not. And there was nothing except loss and yearning…
He awoke into darkness with a jolt, his breath shuddering as he sat bolt upright. He’d had a hell of a dream; at least he thought he must have. Sweat cooled on his body and his heart hammered. Yes. Something about a cloak. Only…he couldn’t remember. Just that he had dreamed…that he had wanted something and it had been taken from him. The cloak had taken it…or had he lost it? He lay down again and closed his eyes. As he drifted back toward sleep the thought flickered…something? Or someone?
Evelyn Fitzhugh, Viscount St. Austell, stared mutely at the murals adorning the bedchamber walls of his Grosvenor Square mansion. A line from Lionel Trehearne’s letter asking for the commission sprang to his mind:
He’d been so shamed by that cold “my lord” that he’d scarce noted the content.
Now, faced with the murals he had commissioned, he recalled the content of that letter; Lionel’s style
In the final picture she lay sleeping and sated in her lover’s arms, her face shielded by his tender, caressing hand…Evelyn shut his eyes and felt the cool fire of her tresses slipping through his fingers, the softness of her cheek against his shoulder, her quiet breathing a caress. He wouldn’t lose her again. He couldn’t…
A rumble of carriage wheels down in the street jerked him out of the daydream to gaze again at the reality of what he had commissioned.
Who was she?
Dammit! Lionel was the last man alive he would have chosen for this commission! Six years ago Evelyn had accepted Lionel’s ultimatum that he was to remain out of their lives. He’d done so. Only by chance had he heard through a mutual friend that Lionel had gone to Italy. He could only suppose that his friend had doubted his promise to keep away. After that Lionel had dropped out of sight, communicating with no one. Evelyn wouldn’t even have known the man was back if he hadn’t received the letter asking for the commission and submitting a series of pen and pencil sketches. He had no idea how Lionel had heard about it, although he supposed it was common knowledge that rakish Viscount St. Austell had asked for a set of murals to adorn his bedchamber walls in his Grosvenor Square mansion to celebrate taking possession after the exit of his last remaining paternal great-aunt to a cousin’s country home.
He could, of course, have lived here even with Great-aunt Millicent in residence. However, the thought of being subjected to a catechism every time he failed to come home, or did anything even remotely scandalous, had been enough to keep him in lodgings since he had inherited his father’s title four years earlier.
To make matters worse, Millicent had roundly condemned his interest in art. At least, not his interest precisely, but certainly his taste. That was one thing, but when she had taken it upon herself to slap a coat of scarlet paint across one of his favorite nudes, which he’d hung in a little-used guest chamber, it was the outside of enough.
This, then, was his revenge. Great-aunt Millicent, fond of extolling the virtues of her saintly father, the fourth viscount, was likely to have apoplexy when she heard what was now adorning the deceased saint’s bedchamber walls.
Half a dozen painters had submitted sketches for Evelyn’s inspection; he’d rejected them all. Very well, he’d asked for explicit, but none of them had looked anything but tawdry and lewd. His main aim might be to annoy Great-aunt Millicent, but that didn’t mean he wanted to live with boring paintings. Except for Lionel’s entry none had so much as caused his pulse to flicker. He might still have rejected it; even six years on, salt rubbed into a still-raw wound could sting. But the address given, a shop down by Westminster Bridge, suggested that Lionel was struggling. This was the only way Evelyn could help him and perhaps make amends for the carelessness that had broken their friendship.