Джордж Мартин – Mississippi Roll (страница 3)

Only he was the only haint. All the other supposed ghosts existed only in the pamphlets the current owners of the boat distributed, with sometimes lurid details of the ‘haints’ aboard. Wilbur had seen the pamphlets and read the stories of the ghosts who reputedly were aboard: for instance, eleven-year-old Lizbeth Hamilton, touted as a ‘wispy, translucent figure seen on the darkest nights on the main deck, where she died in a tragic fall.’ Wilbur had actually witnessed Lizbeth’s death in 1978 as the Natchez was steaming downriver from St Louis and passing Cape Girardeau. Lizbeth had been dressed in a Billy Joel T-shirt and jeans, her brown hair in pigtails with strands escaping from baby blue ribbons. It had been windy and rather cold that October night, with a light drizzle spraying the decks. Lizbeth’s parents had booked passage for Vicksburg to meet relatives. The Natchez, under new ownership and new captainship again, was – in Wilbur’s view – growing increasingly shabby and sloppily run. Lizbeth had left her parents’ cabin on the boiler deck; Wilbur heard her running footsteps from where he was prowling on the texas deck, and he glanced over the railing in time to see her slip on a thin layer of ice that had formed on the deck. Her momentum took her to the railing; she clutched at it, screaming in panic, but the railing was loose and Wilbur heard the crack of rotten wood. Lizbeth went over still holding the broken railing, falling hard onto the main deck and breaking her neck.

But no ghost had risen from her poor corpse. No ghost haunted the main deck, or any other. Not the passenger named Robert who messily committed suicide in 1958 in his stateroom; not the wife found by her husband in flagrante delicto with another man in 1963 – her lover fled naked for his life before jumping overboard to safety, but the husband had strangled his unfaithful wife to death before the then-captain and crew, alerted by the uproar, overpowered him; not the drunken and clumsy idiot who managed to fall backward over the railing into the thrashing paddle wheel in 1988.

Those who died on the Natchez – and there had been a few more over the years – never stayed on the Natchez. Wilbur had no other haints as companions, despite the owners’ advertisements, intended to entice and titillate potential passengers.

Of which there were currently quite a few. The Natchez was readying to leave her home port of New Orleans and head upriver, first to St Louis, then back down the Mississippi a bit to the confluence of the Ohio and on up the Ohio to Cincinnati, where the steamboat would be part of Cincinnati’s periodic Tall Stacks festival. Many of the passengers had booked passage specifically to attend the festival, though there were also those who were traveling to one or another of the towns and cities along the way.

For Wilbur, the Tall Stacks festivals were a somewhat bittersweet reminder of old times: a dozen or so steamboats lined up along Riverboat Row, even if the majority of them weren’t real steamboats anymore but pale imitations – diesel-powered excursion boats whose paddles were there purely for decoration, or overgrown abominations like the American Queen. The festival reminded him of tales that his father had long ago told him, woven from his own childhood growing up with Wilbur’s grandfather Thomas Leathers, who had built and captained the first eight steamboats named Natchez.

Still, Wilbur would normally have been looking forward to Tall Stacks, especially since his Natchez was scheduled to race against the Belle of Louisville and the Delta Queen once they arrived. A previous Natchez had famously raced (and lost to) the Robert E. Lee, a scene celebrated in the huge painting that dominated the main salon on the boiler deck.

But the rumors Wilbur was hearing rather dampened any enthusiasm he might have mustered. Wilbur ‘talked’ often enough with Jeremiah Smalls, his one confidant on the Natchez and the boat’s chief pilot for the last dozen years. According to Jeremiah, it appeared that the current owners of the Natchez were considering ‘options’ for making the boat more profitable – and some of those options terrified Wilbur, seeing as this boat was also his prison.

Over the years, then the decades, Wilbur told himself that his was a just sentence; he’d killed Carpenter in a rage, and so he deserved this exile on the boat he’d built for committing the sin of murder. He deserved losing Eleanor, who must now be ninety years old or already dead. He deserved the punishment of never knowing his son or daughter, if Eleanor had perhaps remarried and had other children, if perhaps there were grandchildren of his out in the world.

Justice. Karma. Payment for his sins. Wilbur had been brought up Methodist, but he’d lost his faith somewhere along the way. He didn’t know if there was a God or not, but whether it was God’s hand or simple fate that had marooned him on his own vessel, it was his sentence to bear.

It was a bright day in New Orleans, and Wilbur hadn’t taken in steam in hours. Even filled with steam and willing himself to be visible, in sunlight he’d be little more than a passing wisp of cloud, perhaps a stray, soggy refugee from the stacks or the ’scape pipes or a leaking radiator. But Wilbur was content to be invisible at the moment. He walked the main deck – at least, that was his perception of what he was doing, though he’d seen his reflection in a window or mirror many times over the decades, and to an outsider, he was a specter gliding soundlessly just above the boards. There were far more people on board than usual for the Natchez; it was looking like this would be a profitable trip, and he entertained the thought that this might change the minds of the consortium that owned the boat.

As he turned the corner of the promenade and moved toward the gangway leading to the dock, three young men, laden with odd pieces of equipment, were coming toward him, talking excitedly among themselves. They’d come aboard the night before: two brothers, Ryan and Kevin Forge, and Sean Venters, a cousin. According to Jeremiah, they had a cable television TV show (both cable and television being technologies that simply made Wilbur shake his steamy head in mingled wonder and disgust) called The Dead Report, where they investigated the paranormal. They were aboard looking for the Natchez’s nonexistent ghosts … and especially Steam Wilbur.

‘The EMF fields are fluctuating like crazy,’ Sean was saying to Ryan as Kevin filmed their interaction, walking backward. ‘We’re close to something.’ Wilbur had to step/glide aside quickly to avoid having Kevin pass directly through him – he didn’t intend to give the ghost hunters anything to talk about on their show.

‘Supposedly there’s a ghost around here – a little girl named Lizbeth,’ Ryan said. He was dark-haired and muscular, with tattoos crawling his arms (another new societal change that made Wilbur shake his head – even the sailors Wilbur had known in the war hadn’t defaced their bodies this much). ‘If we can find a cold spot, maybe we can make contact with her …’

Wilbur let the trio pass him, then continued around to the dock side of the ship.

The Natchez was bustling with activity everywhere. The dock side of the main deck was swarming with visitors and passengers, the air was alive with chatter as deckhands and roustabouts doubled as bellboys, carrying luggage from the dock onto the steamboat and up to the staterooms and cabins on the boiler deck.

Wilbur could see Captain Marjorie Montaigne looking like she’d just stepped out from the late 1800s in her captain’s uniform with its ostentatious piping and embroidery. Montaigne had taken over as captain of the Natchez almost a decade ago; as far as Wilbur was concerned, if none of the captains since his death had been as competent as he’d been, he had to grudgingly admit Montaigne had managed to turn around or at least stop the decline of the Natchez during her tenure.

She was also a lesbian, and admitted that openly – another new societal twitch that Wilbur didn’t quite understand or agree with. In his day, one kept such things tightly closeted and one never talked about them. Still, he had to allow that Montaigne did her job as captain well enough, and though it was still a rarity to see a female captain on the river, she was more than a match for the sometimes crude and misogynistic crewmembers. Wilbur’s own aunt, Blanche Leathers, had become captain of the Natchez way back in 1894, long before women were at all common in the workplace, let alone running a steamboat on the Mississippi. At least Montaigne was following a Leathers tradition, even if she wasn’t family.

Captain Montaigne was greeting arrivals at the gangway leading down to the wharf as Wilbur drifted past her, unseen. He’d overheard earlier talk from the captain that there might be several wild card aces among the entertainers as well as the passengers at various points along the cruise; in fact, the Jokertown Boys, a joker boy band that had been famous a decade and a half ago, had been aboard for some time now, having most recently played the night before. Their supposed music failed to impress Wilbur, who still preferred the big band sound of the ’40s and early ’50s, or classic New Orleans jazz. The band’s keyboardist, ‘Gimcrack’ – a stupid name, in Wilbur’s opinion – had also been hired to play the boat’s calliope during the cruises, though at the moment it was silent, the boilers still waiting to be fully fired up tomorrow evening when the Natchez would be under way.