Джонатан Франзен – The End of the End of the Earth (страница 3)
Admittedly, I had my own neat narrative account. When I came home from Africa to Santa Cruz, my progressive friends were still struggling to understand how Trump could have won. I remembered a public event I’d once done with the optimistic social-media specialist Clay Shirky, who’d recounted to the audience how “shocked” professional New York restaurant critics had been when Zagat, a crowdsourced reviewing service, had named Union Square Cafe the best restaurant in town. Shirky’s point was that professional critics aren’t as smart as they think they are; that, in fact, in the age of Big Data, critics are no longer even necessary. At the event, ignoring the fact that Union Square Cafe was
After the election, Mark Zuckerberg did briefly seem to take responsibility, sort of, for having created the platform of choice for fake news about Clinton, and to suggest that Facebook could become more active in filtering the news. (Good luck with that.) Twitter, for its part, kept its head down. As Trump’s tweeting continued unabated, what could Twitter possibly say? That it was making the world a better place?
In December, my favorite Santa Cruz radio station, KPIG, began running a fake ad offering counseling services to addicts of Trump-hating tweets and Facebook posts. The following month, a week before Trump’s inauguration, the PEN American Center organized events around the country to reject the assault on free speech that it claimed Trump represented. Although his administration’s travel restrictions did later make it harder for writers from Muslim countries to have their voices heard in the United States, the one bad thing that could
Trump and his alt-right supporters take pleasure in pushing the buttons of the politically correct, but it only works because the buttons are there to be pushed—students and activists claiming the right to not hear things that upset them, and to shout down ideas that offend them. Intolerance particularly flourishes online, where measured speech is punished by not getting clicked on, invisible Facebook and Google algorithms steer you toward content you agree with, and nonconforming voices stay silent for fear of being flamed or trolled or unfriended. The result is a silo in which, whatever side you’re on, you feel absolutely right to hate what you hate. And here is another way in which the essay differs from superficially similar kinds of subjective speech. The essay’s roots are in literature, and literature at its best—the work of Alice Munro, for example—invites you to ask whether you might be somewhat wrong, maybe even entirely wrong, and to imagine why someone else might hate you.
Three years ago, I was in a state of rage about climate change. The Republican Party was continuing to lie about the absence of a scientific consensus on climate—Florida’s Department of Environmental Protection had gone so far as to forbid its employees to write the words
In a polity ever more starkly divided, the truth about global warming was even less convenient to the left than to the right. The right’s denials were odious lies, but at least they were consistent with a certain cold-eyed political realism. The left, having excoriated the right for its intellectual dishonesty and turned climate denialism into a political rallying cry, was now in an impossible position. It had to keep insisting on the truth of climate science while persisting in the fiction that collective world action could stave off the worst of it: that universal acceptance of the facts, which really might have changed everything in 1995, could still change everything. Otherwise, what difference did it make if the Republicans quibbled with the science?
Because my sympathies were with the left—reducing carbon emissions is vastly better than doing nothing; every half degree helps—I also held it to a higher standard. Denying the dark reality, pretending that the Paris Accord could avert catastrophe, was understandable as a tactic to keep people motivated to reduce emissions; to keep hope alive. As a strategy, though, it did more harm than good. It ceded the ethical high ground, insulted the intelligence of unpersuaded voters (“Really? We still have ten years?”), and precluded frank discussion of how the global community should prepare for drastic changes, and how nations like Bangladesh should be compensated for what nations like the United States have done to them.
Dishonesty also skewed priorities. In the past twenty years, the environmental movement had become captive to a single issue. Partly out of genuine alarm, partly also because foregrounding human problems was politically less risky—less elitist—than talking about nature, the big environmental NGOs had all invested their political capital in fighting climate change, a problem with a human face. The NGO that particularly enraged me, as a bird lover, was the National Audubon Society, once an uncompromising defender of birds, now a lethargic institution with a very large PR department. In September 2014, with much fanfare, that PR department had announced to the world that climate change was the number-one threat to the birds of North America. The announcement was both narrowly dishonest, because its wording didn’t square with the conclusions of Audubon’s own scientists, and broadly dishonest, because not one single bird death could be directly attributed to human carbon emissions. In 2014, the most serious threats to American birds were habitat loss and outdoor cats. By invoking the buzzword of climate change, Audubon got a lot of attention in the liberal media; another point had been scored against the science-denying right. But it was not at all clear how this helped birds. The only practical effect of Audubon’s announcement, it seemed to me, was to discourage people from addressing the real threats to nature in the present.
I was so angry that I decided that I’d better write an essay. I began with a jeremiad against the National Audubon Society, broadened it into a scornful denunciation of the environmental movement generally, and then started waking up in the night in a panic of remorse and doubt. For the writer, an essay is a mirror, and I didn’t like what I was seeing in this one. Why was I excoriating fellow liberals when the denialists were so much worse? The prospect of climate change was every bit as sickening to me as to the groups I was attacking. With every additional degree of global warming, further hundreds of millions of people around the world would suffer. Wasn’t it worth an all-out effort to achieve a reduction of even half of one degree? Wasn’t it obscene to be talking about birds when children in Bangladesh were threatened? Yes, the premise of my essay was that we have an ethical responsibility to other species as well as to our own. But what if that premise was false? And, even if it was true, did I really care personally about biodiversity? Or was I just a privileged white guy who liked to go birding? And not even a pure-hearted birder—a lister!