Дорис Лессинг – The Sentimental Agents in the Volyen Empire (страница 16)
Shammat prowls through ‘the Volyens’ – to use the colloquialism – watching every public gathering for signs of talent. Some young person, who has perhaps leaped up to orate because of a genuine anguish over the lot of the unfortunate, because of a real vision of radiant futures, finds at his side this personage who understands him and his innermost thoughts, dreams, aspirations. ‘How wonderful you are,’ say the eloquent, compassionate eyes of this new friend. ‘How your beautiful ideas do you credit! Please go on …
This chosen one, chosen now by Shammat, finds efforts encouraged, speeches applauded, above all in every word the implication that these two, these new comrades, these
‘You are very good at this,’ says Krolgul, with that modest and comradely complicity in which Shammat specializes, and which indicates in every look, smile, touch of the hand,
Oh yes, it is with the wriest of thoughts that I have heard – so very often, for I have been present when Shammat is at its work, though Shammat has had no suspicion of it – this caricature of Canopus, this shabby mimicry.
And it is because Shammat can use words that
What Shammat does, in short, is to allow ‘life itself’ to throw up its material, encourage ‘life itself’ to develop it, and then, when these people are already well accustomed to assaults of Rhetoric both from others and as used by themselves, they are taken into Krolgul’s school, where they have to learn to become immune to it, so that they may control crowds by the most passionate, violent, emotional language possible, without ever being affected by it.
And never, during the preparations ‘in life itself’ or in the school, does Shammat say to its disciples: ‘This is a school for the use of power over others, for the crude manipulation of the lowest instincts.’
How easy it is for the unprepared, for the innocent, to lose their way: when Incent at last rolled over from his prone position on the bench beside me, he said, ‘Klorathy, I have been thinking, why not enrol me in Krolgul’s school? He need never know that I am here simply to learn what I need.’
‘And what do you need?’
‘How not to be manipulated by words. What else?’
‘And you really cannot see any difference in the methods we use to harden you against Rhetoric, and Shammat’s?’ He was lying there, our Incent, moodily elongated, arms behind his head, legs straight, black eyes brooding, very pale because of his condition. Meanwhile a young Slovin orated, ‘What, then, is it that we are aiming at? What? Why, nothing less than …
‘They certainly seem to have a much more enjoyable time of it than we do,’ he grumbled.
‘Indeed they do. Enjoyable, that’s the word. What is more enjoyable than power or the promise of it?
A short, bitter laugh. ‘No, you can’t be accused of that, Klorathy. Well, perhaps I
‘No, but you
Incent lay there, looking at me: dark eyes, the blankness behind than showing that his degree of exhaustion, though improved, was still severe.
‘Some of our people are there, with Krolgul. One of them is reciting now. Agent 73, I know her.’
‘Yes, and when they’ve come to understand, through life itself, what they have become, do you imagine it will be an easy task to build them up inwardly, to restore to them what has been stolen? Incent, you are at risk. More than, perhaps, some of the others. Your temperament, your physical tendencies, your capacity for self-projection –’
‘Thanks,’ said he, histrionically. ‘What equipment I’ve got, then!’
‘Well,
A long silence, while some youth chanted: ‘And what is there to prevent this paradise? We all know there is nothing! In our soil lies the wealth of harvests and of minerals …
‘Very well,’ he said. ‘But you’d better keep me under your eye for the time being, hadn’t you?’
I took him back to the hotel, and I do not need to say with what relief we entered the wonderful, all-artificial, cool, stimulus-free white room.
And there we have been resting. Side by side on the recliners. I, on my back, he prone and staring at the dull black of the flooring through the lattices of the chair, we recovered together. It was as silent as in a cave deep under the earth, as silent as if we floated in the black spaces between galaxies. The tall slim room reached up into the building, and at its top was a place of quiet light.
At first you are allowed only glimpses of circles, triangles, squares, all a luminous white on flat white, and the shapes darken, turn grey and then duller grey on a white that begins to shine, though softly. These statements of order remain, so that the eye may travel, but resting, soothed, reassured; soon, however, the mind begins to protest against changelessness, longs for relief, and as you understand that this is your thought – a hunger transmuted from a sharp need into the passionless stuff of the mind – the eye is in movement again because up there, at the very tip of the dim shaft, it is not polygons but polyhedrons you are trying to encompass with your gaze. They stand there, as it were waiting in the air, but their solidity is not yet defined and heavy, and you still believe it is a hexagon or an octagon that is enticing your gaze up into itself. But no, there is mass, and there is weight on the faintly gleaming white. Silence and stillness, no movement at all, for a long time, a long … And then again, when the restless eye begins to demand change, movement there is, tetrahedrons are changing into octahedrons, and then – dazzlingly! – into those charmers icosahedrons, which transform themselves into icosi-dodecahedrons, and it seems as if high above you in the tapering dimnesses of your own mind roll spheres that have within them all the luminaries, solid and plane, so that dodecagons tease star polygons, and a decagon may merge into a dodecahedron which resolves into a pentagon which opts, modestly, for the condition of being a cube. Though not for long …