David Baddiel – The Death of Eli Gold (страница 6)
He remembers the moment of her leaving clearly. In 1993, the Church of the Latter-day Saints, in their regular Baptism of the Dead, baptized Adolf Hitler. Despite their differences with the LDS, his own church – The Latter-day Church of the True Christ – accepted this baptism. A year later, the whole family were at Mount Timpaganos Temple, the beautiful prayer hall only just built to serve the community of American Fork, when the dictator’s name came through in the list of The Endowed. Immediately, Janey got up and left. Next time he heard from her, she had moved to Independence, Missouri, to join the Community.
But he knew, even as he watched her pass through the door, under the mural of the angel Moroni, that Hitler’s baptism was just the catalyst. She had grown disenchanted when he had taken Sedona, his second wife’s daughter, to be his fifth wife. He had seen it when he had gathered the family around him in the living room of their then house, the one at the point in American Fork where East State Road becomes West State Road, and announced his intention. They were crammed in: the house seemed to grow smaller as the family burgeoned. Everyone else was joyful, clapping and rising to congratulate Sedona and her mother, but Janey just stayed on a chair by the window, staring straight at him. He returned her stare, blankly, neutrally, letting his good eye ask her what her problem might be; but this was hard to do, because so many of his wives and children were hugging him, and because her eyes were so full of hurt and disgust and anger. They held each other’s line of vision, while the others danced between them, until at last she turned away and looked through the glass towards the white-tipped mountains of the Utah Valley.
He decides to leave the area around Mount Sinai Hospital to look for a hotel. He cannot, though, afford any of the hotels in the mid-town area. This should not be part of my story, he thinks. I am an avenging angel; I have the weight of destiny on my shoulders. But I cannot afford any of the hotels in the mid-town area.
He walks and walks. His right arm, where he has a touch of arthritis in the elbow, aches with the weight of pulling his suitcase, a blue checked bag on wheels. On his left shoulder blade, the remnants of his tattoo – a Confederate flag, removed soon after joining the Church, because the head of their Temple, Elder James LaMoine McIntyre, known to everyone as Uncle Jimmy, explained to him that the body is perfected after death – itches. To keep him going he recites in his head, for every step, the names of his family. First, the wives: step, Leah, step, Ambree, step, Lorinda, step, Angel, step, Sedona, step, RoLyne. Then, for every step, a son or daughter: step, Janey, step, Clela, step, Fallon, step, Levoy, step, Leah, step, Darlene, step, KalieJo, step, Orus, step Rustin, step, Mayna, step, Prynne, step, Dar, step, Hosietta, step, Velroy, step, Elin. Then, a final step, and a final name: Pauline. Then he begins again. After he has been doing this for a few hours, it occurs to him that three of his children – Darlene, Rustin, Levoy – are, in fact, step-children. This takes him aback for a second, makes him stop. For a moment it strikes him as funny. But he represses the urge to laugh, and reorders it in his head as a sign, a small sign, that there is a pattern to all things. He walks on.
The list allows him to resist New York. He has never been here before – he has never been out of Utah – but he knows enough about it from when he was young, and from what he has seen on the internet, to understand that the City will distract him from his destiny. He keeps his head down, focusing on his feet, on hitting a new name with each foot, and refuses the City – he refuses Park Avenue, even as he walks all the way down it; he refuses the Chrysler Building and the Empire State and the Waldorf-Astoria and Grand Central Station and One And Eleven Madison and all the other temptations of the Kingdom of Man. He refuses even the yellow taxis and the steam rising from the street gratings and the hotdog sellers and the WALK/ DON’T WALK signs, the things about Manhattan that might chime with its movie self, and which might draw him in through living up to its mythology, revealing its icons like a peacock its feathers.
Just as he is getting too hot and tired to continue – the sun has been stoking the air all afternoon, and underneath his clothes his sacred white undergarments are heavy with sweat – he finds a cheap place, on East 25th Street, called the Condesa Inn. The Condesa Inn is a hippy hotel. He likes that. He was a hippy himself, once. He was a Mormon then, too, but a regular one, just born into the Church of the Latter-day Saints, and not too fussed about it neither. Him and his sister used to smoke a lot of dope together, and listen to a band called The Outlaws. He loved her most then. It was at an Outlaws gig when he first saw Jesus – the Azteca in Salt Lake, in 1975. Hughie Thomasson was really going for it, on ‘Searching’, their greatest song, their ‘Free Bird’. Hughie had just sung:
He knows that the Condesa Inn is the hotel he should be staying in, because every room is painted in a different way, each by a different artist. The woman on reception, who looks like she may have been a hippy as well once, shows him photographs of the rooms that are available, and there is one with a picture of Jesus across the wall. The woman says it is not Jesus – she says it is the lead singer of the Flaming Lips – but he knows that it is, because the bearded half-naked figure is enveloped by an angel. Then the woman says:
– Well, if you want it to be Jesus, I guess it’s Jesus. It’s eighty dollars a night, shared bathroom.
He smiles a little, a smile the woman would not be able to read. At home, he shares one bathroom with twenty-one other family members. Most days, the waiting to get into it is so long he ends up going to the bathroom outside, behind the privet hedge that surrounds their small patch of land.
– Is it a smoking room?
– No. We don’t have any rooms you can smoke in any more. You have to go stand outside. Sorry.
– OK. Do you have wi-fi internet access?
– We do. It comes and goes a bit, but, yeah.
– How much does it cost?
– On the house. When you can get it, that is.
– Is there a password?
She picks up a card with the Condesa Inn logo on it, and a pen, and scribbles on the back: H98BCARL. She hands it over, smiling. He looks at it and feels disappointed. He had thought that this word might speak to him: he had thought it would be a word connected with his destiny, or maybe at least with their shared hippiness, OUTLAWS1, or something.
OK, he says, and goes up to the room, with his suitcase. They do have a porter in the Condesa Inn, but he does not want the porter to carry his suitcase, because he only has a small amount of money and cannot afford tips. It contains, along with two changes of outer clothes and five of sacred underclothes, his own copy of
Inside the room, the picture of Jesus is bigger than it looks in the photograph. The only window looks out onto the back of some kind of kitchen, and the picture itself is not that brightly painted – Jesus is in a sharp profile, like he might appear on a playing card, and wears a dark red toga, in sharp contrast to the bright blue of the angels’ dress – but still, when he turns to face the mural, it nearly blinds him with light. This is proof for him that it is the Lamb of God, Lucifer’s spirit brother, again. He has to shield his eyes, which hurt like staring at the sun, something he did once when he was a kid during an eclipse, even though his father had told him not to. He did that because he didn’t understand why, if the sun was covered by the moon, you couldn’t look at it. He looked at that eclipse for five minutes, and it was beautiful, so beautiful he didn’t feel the burn in his right eye that would leave the pupil fixed in the middle of the socket, and working always at no more than 20 per cent effectiveness. He thinks of it now as his first intimation that knowing God, really knowing God, always involves pain.