Чимаманда Нгози Адичи – Half of a Yellow Sun (страница 13)

‘But the World War was a bad thing that was also good, as our people say,’ Okeoma said. ‘My father’s brother fought in Burma and came back filled with one burning question: How come nobody told him before that the white man was not immortal?’

They all laughed. There was something habitual about it, as if they had had different variations of this conversation so many times that they knew just when to laugh. Olanna laughed too and felt for a moment that her laughter sounded different, more shrill, than theirs.

***

The following weeks, when she started teaching a course in introductory sociology, when she joined the staff club and played tennis with other lecturers, when she drove Ugwu to the market and took walks with Odenigbo and joined the St Vincent de Paul Society at St Peter’s Church, she slowly began to get used to Odenigbo’s friends. Odenigbo teased her that more people came to visit now that she was here, that both Okeoma and Patel were falling in love with her, because Okeoma was so eager to read poems in which descriptions of goddesses sounded suspiciously like her and Dr Patel told too many stories of his days at Makerere, where he cast himself as the perfectly chivalrous intellectual.

Olanna liked Dr Patel, but it was Okeoma whose visits she most looked forward to. His untidy hair and rumpled clothes and dramatic poetry put her at ease. And she noticed, early on, that it was Okeoma’s opinions that Odenigbo most respected, saying ‘The voice of our generation!’ as though he truly believed it. She was still not sure what to make of Professor Ezeka’s hoarse superciliousness, his certainty that he knew better than everyone else but chose to say little. Neither was she sure of Miss Adebayo. It would have been easier if Miss Adebayo showed jealousy, but it was as if Miss Adebayo thought her to be unworthy of competition, with her unintellectual ways and her too-pretty face and her mimicking-the-oppressor English accent. She found herself talking more when Miss Adebayo was there, desperately giving opinions with a need to impress – Nkrumah really wanted to lord it over all of Africa, it was arrogant of America to insist that the Soviets take their missiles out of Cuba while theirs remained in Turkey, Sharpeville was only a dramatic example of the hundreds of blacks killed by the South African state every day – but she suspected that there was a glaze of unoriginality to all her ideas. And she suspected that Miss Adebayo knew this; it was always when she spoke that Miss Adebayo would pick up a journal or pour another drink or get up to go to the toilet. Finally, she gave up. She would never like Miss Adebayo and Miss Adebayo would never even think about liking her. Perhaps Miss Adebayo could tell, from her face, that she was afraid of things, that she was unsure, that she was not one of those people with no patience for self-doubt. People like Odenigbo. People like Miss Adebayo herself, who could look a person in the eye and calmly tell her that she was illogically pretty, who could even use that phrase, illogically pretty.

Still, when Olanna lay in bed with Odenigbo, legs intertwined, it would strike her how her life in Nsukka felt like being immersed in a mesh of soft feathers, even on the days when Odenigbo locked himself in the study for hours. Each time he suggested they get married, she said no. They were too happy, precariously so, and she wanted to guard that bond; she feared that marriage would flatten it to a prosaic partnership.

3

Richard said little at the parties Susan took him to. When she introduced him, she always added that he was a writer, and he hoped the other guests assumed he was distant in the way writers were, although he feared they saw through him and knew he simply felt out of place. But they were pleasant to him; they would be to anyone who was Susan’s companion, as long as Susan continued to engage them with her wit, her laughter, her green eyes that sparkled in a face flushed from glasses of wine.

Richard didn’t mind standing by and waiting until she was ready to leave, didn’t mind that none of her friends made an effort to draw him in, didn’t even mind when a pasty-faced drunk woman referred to him as Susan’s pretty boy. But he minded the all-expatriate parties where Susan would nudge him to ‘join the men’ while she went over to the circle of women to compare notes on living in Nigeria. He felt awkward with the men. They were mostly English, ex-colonial administrators and business people from John Holt and Kingsway and GB Ollivant and Shell-BP and United Africa Company. They were reddened from sun and alcohol. They chuckled about how tribal Nigerian politics was, and perhaps these chaps were not quite so ready to rule themselves after all. They discussed cricket, plantations they owned or planned to own, the perfect weather in Jos, business opportunities in Kaduna. When Richard mentioned his interest in Igbo-Ukwu art, they said it didn’t have much of a market yet, so he did not bother to explain that he wasn’t at all interested in the money, it was the aesthetics that drew him. And when he said he had just arrived in Lagos and wanted to write a book about Nigeria, they gave him brief smiles and advice: The people were bloody beggars, be prepared for their body odours and the way they will stand and stare at you on the roads, never believe a hard-luck story, never show weakness to domestic staff. There were jokes to illustrate each African trait. The uppity African stood out in Richard’s mind: An African was walking a dog and an Englishman asked, ‘What are you doing with that monkey?’ and the African answered, ‘It’s a dog, not a monkey’ – as if the Englishman had been talking to him!

Richard laughed at the jokes. He tried, too, not to drift throughout the conversations, not to show how awkward he felt. He preferred talking to the women, although he had learned not to spend too long with a particular woman, or Susan would throw a glass at the wall when they got home. He was baffled the first time it happened. He had spent a short time talking to Clovis Bancroft about her brother’s life as a district commissioner in Enugu years ago, and afterwards Susan was silent during the drive back in her chauffeur-driven car. He thought perhaps she was dozing off; it had to be why she was not talking about somebody’s ghastly dress or the unimaginative hors d’oeuvres that had been served. But when they got back to her house, she picked up a glass from the cabinet and threw it against the wall. ‘That horrible little woman, Richard, and right in my face, too. It’s so awful!’ She sat on the sofa and buried her face in her hands until he said he was very sorry, although he was not quite sure what he was apologizing for.

Another glass crashed some weeks later. He had talked to Julia March, mostly about her research on the Asantehene in Ghana, and stood absorbed, listening, until Susan came over and pulled him by the arm. Later, after the brittle splinter of shattering glass, Susan said she knew he didn’t mean to flirt but he must understand that people were horribly presumptuous and the gossip here was vicious, just vicious. He had apologized again and wondered what the stewards who cleaned up the glass thought.

Then there was the dinner at which he talked about Nok art with a university lecturer, a timid Yoruba woman who seemed to feel just as out of place as he did. He had expected Susan’s reaction and prepared to apologize before she got to the living room, so that he could save a glass. But Susan was chatty as they were driven home; she asked if his conversation with the woman had been interesting and hoped he had learned something that would be useful for his book. He stared at her in the dim interior of the car. She would not have said that if he had been talking to one of the British women, even though some of them had helped write the Nigerian constitution. It was, he realized, simply that black women were not threatening to her, were not equal rivals.

Aunt Elizabeth had said that Susan was vivacious and charming, never mind that she was a little older than he was, and had been in Nigeria for a while and could show him round. Richard did not want to be shown round; he had managed well on his past trips abroad. But Aunt Elizabeth insisted. Africa was nothing like Argentina or India. She said Africa in the tone of one repressing a shudder, or perhaps it was because she did not want him to leave at all, she wanted him to stay in London and keep writing for the News Chronicle. He still did not think that anybody read his tiny column, although Aunt Elizabeth said all her friends did. But she would: The job was a bit of a sinecure after all; he would not have been offered it in the first place if the editor were not an old friend of hers.

Richard did not try to explain his desire to see Nigeria to Aunt Elizabeth, but he did accept Susan’s offer to show him around. The first thing he noticed when he arrived in Lagos was Susan’s sparkle, her posh prettiness, the way she focused entirely on him, touched his arm as she laughed. She spoke with authority about Nigeria and Nigerians. When they drove past the noisy markets with music blaring from shops, the haphazard stalls of the streetside hawkers, the gutters thick with mouldy water, she said, ‘They have a marvellous energy, really, but very little sense of hygiene, I’m afraid.’ She told him the Hausa in the North were a dignified lot, the Igbo were surly and money-loving, and the Yoruba were rather jolly, even if they were first-rate lickspittles. On Saturday evenings, when she pointed at the crowds of brightly dressed people dancing in front of lit-up canopies on the streets, she said, ‘There you go. The Yoruba get into huge debt just to throw these parties.’