Malbon E. S. The Iconography of the Sarcophagus of Junius Bassus. Princeton, NJ.: Princeton University Press, 1990.
Salzman M. R. On roman time. The codex Calendar of 354 and the rhytms of urban life in Late Antiquity. Berkeley; Los Angeles; Oxford: University of California Press, 1990.
Stern H. Quelques problemes d’iconographie paleochretienne et juive // Cahiers Archéologiques 1962. Vol. XII. P. 99–113.
Weitzmann K. Late antique and early Christian book illumination. Princeton: Princeton University Press, 1977.
Weitzmann K., Kessler H. The Frescoes of Dura Synagogue and Christian Art. Washington: Dumbarton Oaks Research Library and Collection, 1990.
Wickhof F. Die Wiener Genesis. Wien, 1895.
Wright D. H. The Roman Vergil and the origins of medieval book design. London: The British Library, 2001.
Wright D. H. When the Vatican Vergil was in Tours // Studien zur mittelalterichen Kunst 800–1250. Festschrift fur Florentine Mutherich zum 70 Geburstag. München: Prestel 1985. P. 53–66.
1) Генезис лорда Коттона
Tikkanen J. J. Die Genesismosaiken von S. Marco in Venedig und ihr Verhältniss zu den Miniaturen der Cottonbibel nebst einer Untersuchung über den Ursprung der mittelalterlichen Genesisdarstellung besonders in der byzantinischen und italienischen Kunst // Acta Societatis Scientorum Fennicae, 17. Helsingfors, 1889.
Weitzmann K. Observations on the cotton Genesis fragments // Late Classical and Mediaeval Studies in Honor of Albert Mathias Friend, Jr. Princeton, 1955. P. 112–131.
Weitzmann K., Kessler H. The Cotton Genesis (British Library Codex Cotton Otho B VI). Princeton: Princeton University Press, 1986.
2) Октатевхи
Успенский Ф. И. Октатевх Серальской библиотеки в Константинополе // Известия Русского археологического института в Константинополе. Т. XII/ 1907.
Bernabò Massimo. «La cacciata dal Paradiso e il lavoro dei progenitori in alcune miniature medievali» // La miniatura italiana in età romanica e gotica. Florence, 1979. P. 269–281.
Lassus J. La creation du monde dans les octateuques byzantins du 12eme siecle // Monuments et memoires E. Piot. 1979. V. 62. P. 85–148.
Lowden J. The Octateuchs. A Study in Byzantine Manuscript Illustration. Pennsylvania: University Park, 1992.
Strzygovski J. Der Bilderkreis des grieschischen Physiologus des Kosmas Indicopleustes und Oktateuch nach Handschriften der Bibliotec zu Smyrna // Byzantinisches Archiv. Heft. 2. Leipzig, 1899.
Weitzmann K., Bernabo M. The Byzantine Octateuchs. Princeton: Princeton University Press, 1999.
Weitzmann K. The Octateuch of the Seraglio // Actes du X Congres d’etudes Byzantines. Istanbul, 1957.
3) Римская живопись V–VI вв.
Sieger J. D. Visual Methaphor as Theology: Leo the Great’s Sermons on the Incarnation and the Arch Mosaiks at Santa Maria Maggiore // Gesta. 1987. Vol. XXVI/2. P. 83–91.
Stern H. Les mosaiques de l’ église de Sainte-Constance à Rome // Dumbarton Oaks Papers. Vol. XII. 1958. P. 157–218.
Waetzold J. Die Kopien des 17. Jahrhunderts nach Mosaiken und Wandmalereien im Rom. Munich, 1964.
Matthiae G. Pittura romana del Medioevo. Roma, 1988. Vol. 1.
4) Пентатевх Ашбернхема и его дериваты
Cahn A. S. A Note: The missing Model of the St-Julien de Tours frescoes and the Ashburnham Pentateuch miniatures // Cahiers archéologiques. 1966. Vol. XVI. P. 203–209.
Gebhardt O.van Miniatures of the Ashburnham Pentateuch. London, 1883.
Grabar A. Fresques romanes copiées sur les miniatures du Pentateuque de Tours // Cahiers archéologiques. 1957.Vol. IX. P. 329–341.
Gutmann J. The Jewish Origin of the Ashburnham Pentateuch miniatures // Jewish Quaterly Rewiew. 1953. XLIX. № 1. P. 55–72.
Narkiss B. Reconstruction of some original quires of the Ashburnham Pentateuch // Cahiers Archéologiques. 1972. Vol. XXI. P. 19–38.
Narkiss B. Toward a furthes Study of the Ashburnham Pentateuch // Cahiers Archéologiques. 1969. Vol. XIX. P. 45–60.
Rickert F. Studien zum Aschburnham Pentateuch. Inaugural-Dissertation zur Erlaugung der Doktorwurde der Philosophischen Fakultat der Rheinischen Friedrich-Wilhelm-Universitat zu Bonn. Bonn, 1986.
Verkerk D. Biblical manuscripts in Rome 400–700 and the Aschburnham Pentateuch // Imaging the early medieval Bible. Pennsylvania State University Press, 1999. P. 97–120.
Verkerk D. Black Servant, Black Demon: Color Ideology in the Ashburnham Pentateuch // Journal of Medieval and Early Modern Studies. 2001. Vol. XXXI. P. 57–78.
Verkerk D. Early Medieval Bible Illumination and the Ashburnham Pentateuch. Cambridge: Cambridge University press, 2004.
Blum P. The Cryptic Creation Cycle in Ms. Junius xi // Gesta. 1976. Vol. 15. № 1/2. P. 211–226.
Broderick H. L. Observations on the method of illustration in MS Junius 11 and the relationship of the drawings to the text // Scriptorium. 1983. № 37–2. P. 161–177.
Bucher F. The Pamplona Bibles, 1197–1200 A. D. Reasons for Changes in Iconography // Stiel und Uberlieferung in der Kunst des Abendlandes. B. 1. Berlin, 1967. P. 131–139.
Bucher F., ed. The Pamplona Bibles. A facsimile compiled from 2 picture Bibles with martyrologies commissioned by King Sancho el fuerte of Navarra (1194–1234) Amiens Manuscript Latin 108 and Hamburg Ms 1, 2 lat 4, 15. New Haven and London, 1970.
Castiñeiras M. From Chaos to Cosmos: The Creation Iconography in the Catalan Romanesque Bibles // Arte medievale. Nuova Serie. 2002. № 1. P. 35–50.
Contessa A. Between Art, Faith and Science. The concept of Creation in the Ripoll and Roda Romanesque Bibles // Iconographica. 2007. P. 19–43.
Dodwell C. R. L’ originalité iconographique de plusieurs illustrations anglo-saxones de l’ Ancien Testament // Cahiers de civilisation medievale. 1971. Vol. XIV. P. 319–328.
Henderson G. Late antique influences in some medieval English illustrations of Genesis // Journal of the Warburg and Courtauld Institutes. 1962.Vol. 25. № 3/4. P. 172–198.
Henderson G. A source of Genesis Cycle at Saint-Savin-sur-Gartempe // Studies in English Bible illustration. London, 1985. P. 110–126.
Henderson G. The Programme of Illustrations in Bodleian MS Junius Xl // Henderson G. Studies in English Bible Illustration. Vol. 1. London: Harvey Miller, 1985. P. 113–145
Kantorowicz E. The Quinity of Winchester // The Art Bulletin. 1947. Vol. 29. № 2. P. 73–85.
Mac Gurk P. An Anglo-Saxon Bible fragment of the Late VIII Century Royal I E.VI // Journal of Warburg and Courtaud Institute. 1962. Vol. XXV. P. 18–34.
Mentré M. Création et Apocalypse. Paris: Oeuil, 1984.
Neuss W. Die Catalanische bibelillustration um die Wende des ersten Jahrhunderts und die altspanischen Buchmalerei. Leipzig, 1922.
Nordstrom C.-O. Rabbinic features in Byzantine and Catalan art // Cahiers Archéologiques. 1965. Vol. XV. P. 179–205.
Raw В. The probable derivation of most of the illustrations in Junius 11 from an illustrated Old Saxon Genesis // Anglo-Saxon England. 1976. № 5. P. 133–148.
Williams J. A Castilian Tradition of Bible Illustration. The Romanesque Bible from San Milan // Journal of the Warburg and Courtaud Institute. 1965. Vol. XXVIII. P. 66–85.
Withers В. C. A «Secret and Feverish Genesis»: The Prefaces of the Old English Hexateuch // The Art Bulletin. 1999. Vol. 81. № 1. P. 53–71.
Wormald F. The miniatures in the Gospel of St. Augustine (Cambridge; Christi College MS 286) // Wormald F. Collected writings. 1. Studies in Medieval art from the 6 to the 12 centuries. Oxford: Oxford University press, 1984. P. 13–36.
Benson G. R., Tselos D. T. New light on the origin of the Utrecht Psalter // The Art Bulletin. 1931. Vol. XIII. P. 12–79.
Bertelli G. Il ciclo pittorico della grotta // La grotta del Peccato Originale a Matera. La gravina, la grotta, gli affreschi, la cultura materiale. Bari: Adda editore, 2013. P. 63–126.
Caprara R. Tradizione longobarda nella pittura della chiesa rupestre del Peccato Originale a Matera // IV convegno nazionale su «Le presenze longobarde nelle regioni d’ Italia». Cosenza, 2013. P. 1–16.
Davis-Weyer C. «Aperit quod ipse signaverat testamentum»: Lamm und Lôwe im Apokalypsebild der Grandval-Bibel // Studien zur mittelalterichen Kunst 800–1250. Festschrift fur Florentine Mutherich zum 70 Geburstag. München, 1985. P. 67–74.
DeWald E. T. The illustrations of the Utrecht Psalter. Princeton: Princeton University Press, 1932.
Diebold W. The anxiety of influence in Early Medieval art: the Codex aureus of Charles the Bald in Ottonian Regensburg // Under the influence: the concept of influence and the study of illuminated manuscripts. Brügge: Brepols, 2007. P. 51–64.
Dodwell C. R. The final Copy of the Utrecht Psalter // Scriptorium. 1990. Vol. XLIV. P. 21–53.
Dufrenne S. Les Illustrations du Psautier d’ Utrecht. Sources et apport Carolingien. Paris: Ophrys, 1978
Dufrenne S. Les copies anglaises du psaurier d’Utrecht // Scriptorium. 1964. Vol. XVIII. P. 185–197.
Dutton E., Kessler H. L. The Poetry and Paintings of the First Bible of Charles the Bald. Ann Arbor: University of Michigan Press, 1997.
